This blend of comedy and psycho-drama is comprised of two disturbing stories. The first tells the tale of a robot who is set to Earth by his home planet to discover new energy sources. In the second a boy is sent into deep space as part of an inhuman experiment designed to create the perfect human.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

Sol, a bold fugitive lost in a dangerous post-apocalyptic desert world, searches for a missing woman named Catherine and her illusive captor, the Nomad King. With enemies at every turn, Sol's only chance of finding Catherine is with the help of a rogue and mysterious wanderer, Cleo.

Aridhu Aridhu is a 2010 Indian Tamil-language drama film written and directed by K. R. Mathivanan, an assistant of director Shankar, directing his maiden venture. The movie is produced by Jaya Krishnan under the banner name of JK Creations. The movie lead cast includes Harish Kalyan and Uttara Raj both making their debuts. Thaman has scored the music under the audio label of Five Star Audios.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

The broody and beaten-down Noah Philm encounters peculiar characters while wandering through a dark city night in search of some flavorful cheese.

An elderly woman is sitting in her kitchen, cooking and talking to someone, explaining the recent happenings in the apartment complex she lives in, regarding a neighbor. She recalls stories told by others from the building and talks to the person on the phone about how she has barely seen him and about all the noise he causes and unexplainable behavior she's noticed. The whole situation is beginning to scare her.

Nazi spies infiltrate a British film studio with the intention of sending coded messages in the films they produce.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux].

An armada of malaria-laden mosquitoes seeks human targets and finds Private Snafu, who fails to protect himself adequately against their onslaught.