This film is an ode to navigation, an adaptation to silences, deafening cries. A personal navigation through four seasons of loss. A series of memory frames shot on expired and donated 16mm film. Shot during the years of 2012-2016 in Los Angeles, Gettysburg, and Baltimore.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

A man and a woman wake up in a hospital room. She's a nurse, he's a patient. Problem: a large metal object on his back. While the woman tries desperately to escape, the man experiences an inner struggle on the borderline of dream and reality. What has happened before?

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

An experimental film dedicated to the Dakota Sioux, which follows the form of the Christian Mass. A series of images of contemporary America interwoven with the ritual spiriting away of a dead Indian.

Dinner Time is noted as the first sound cartoon short made after Warner Bros.' success with The Jazz Singer and produced even before Walt Disney's first sound cartoon, Steamboat Willie (though released after).

In this film several objects make paintings on an empty canvas, which all turn into photos and films.

A historical analysis of how groups such as the Nazi’s may use language, symbols, and religious connotation in order to come to power. It raises questions that deserve in depth analysis and consideration. Questions include: Where do legends expand our thinking and where do they bury it? When does spiritual pursuit suddenly turn into fanaticism and violence? Last, have we as a society learned from our past, and if so have forgotten the lessons of the 20th Century? Are we now embarking on a new level only to learn the same old lessons about humanity again? In addressing these questions we are taken into the back drop of the history of Germany beginning in the late 1800’s through the late 20th Century at the eve of the 21st. “A society that does not take archetypes, myths, and symbols seriously will possibly be jumped by them from behind.”

Lanky Fellow has a typical cynical SW like way to earn his living. He observes valuable transports of money or gold, but when they are robbed he doesn't intervene, but follows the robbers and then brings the loot back to collect the insurance. When his "job" brings him in conflict with the notorious outlaw Gus Kenneback, he has personal reasons to protect the money as Kenneback was once responsible for the death of Lanky's brother.

In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.

Ruth, 17 years old and in love, needs money to make her post-graduation get away with Julie. Carol, 14 and in love with math, needs money to get into the school of her dreams. Unfortunately, they both have the same problem—neither girl has any cash. When Carol discovers their mother’s secret cash stash, both girls are set on a trajectory of stealing and leaving the other behind. Only one girl can go, and only one person can stop them—their mother.

A swashbuckling Irishman opposes French agents during the Napoleonic wars.

Shake the cup of Purinpurin and dive into the pool with uniforms!! Aiming for further swordfish, to a new fronter.

Bitch-Beauty is an experimental documentary paralleling the lives of Anne Hanavan, whose experiences as part of the underground scene in the East Village of the 1980s was contemporary with now-deceased actress Zoe Tamerlis Lund, the actor and screenwriter of Bad Lieutenant, who died of a heroin/cocaine overdose in 1999. Using Hanavan's films, performances, readings, and music as well as footage from Lund's work, Bitch-Beauty is an intense seven-minute time capsule of addiction, the perils of street prostitution, and subsequent renewal or revival through cathartic self-expression.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Extended version of Patlabor Tokyo War

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.