Buddy Guy: The Blues Chase The Blues Away
Chicago blues great Buddy Guy never was the same after he heard John Lee Hooker’s seminal “Boogie Chillun’” while growing up in his rural stomping grounds of Lettswork, Louisiana. In 1957 he set out for the Windy City and its vibrant blues scene, where he played his way into the clubs, cut records, befriended and gigged with other greats (Muddy Waters, Howlin’ Wolf, Otis Rush), forged his skillful, intense, wild persona, hit the road, influenced new generations of musicians (Mick, Keith, Eric, Stevie Ray Vaughan), performed at the Obama White House and collected nine Grammys along the way. Supported by a sumptuous assemblage of performance footage, testimonials from those he’s inspired (including Clapton, Carlos Santana, Gary Clark Jr., and John Mayer) and some classic blues licks, Buddy Guy: The Blues Chase the Blues Away finds Guy (now a young 84) looking back at his life, providing valuable insight into his music while leaving room for some memorable anecdotes.
Disobedience or How to Train Fighting Roosters
An anarchist group in the 90s made up of former soldiers, guerrillas, paramilitaries and victims, call themselves “How to train fighting cocks”, the group tired of the evil that consumes humanity and inspired by the essay Civil Disobedience of Henry Thoreau.
Miró tapís
Commissioned by the Maeght Gallery with the exhibition of Joan Miró, organized by the French Ministry of Cultural Affairs at the Grand Palais, which opened on May 17, 1974 in Paris. This film was shot in six days in Montroig del Camp (at the Miró) and Tarragona during the implementation process, by Josep Royo, a tapestry by Joan Miró. Five people worked for eight months in the realization of this tapestry, using wool 1200kg and 600kg for the warp. The total weight of 3500kg and a half was six meters wide by 11 meters long. They need a purpose built weaving loom. The day of the attack on the World Trade Center in New York on September 11, 2001, the tapestry was placed in the lobby of one of the towers when they were demolished.