The film is made up of one single take. The camera pans to the left, focusing on a dilapidated fence in a rural field, as Ella Fitzgerald's "All My Life" plays on the soundtrack. At the end of the 3 minute film, the camera tilts up to the blue sky just as the song ends.

A balloon wraps itself around a young child's hand, bringing him higher and higher, much to the child's delight, but a sinister truth begins to unravel.

In the tradition of Sunday Too Far Away, this independent film is based on the classic Australian play by John Power. Pic tells the story of a group of miners living in a camp in outback Australia. They swear, brawl, gamble, and drink heavily. Central to the story is the conflict between Tarzan, the authoritarian group leader and cocky loud-mouth wisecracking Pansy. This results in a bare-knuckle punch-up for the movie's denouement.

An unpleasant, but delightful single round contest with the superior! Chairman Kim is an old man who treats his employees very badly. Meanwhile, his assistant, Chang-soo, has to suffer Kim's verbal abuse everyday in the car. One day, Chang-soo drives a drunk chairman Kim home. However, there is only so much Chang-soo can take and the suppressed anger inside him explodes!

About a kidnapped hostage's life, and the frustration his family, a special ops team, and a man in charge of delivering the ransom money all feel as they rush to save him.

Bellend Productions'(TM) 1X Nominated Documentary "The Man The Myth The Bellend" Directed by Rhys Walkington is the first ever Bellend Productions(TM) Film and is a documentary about the Life of "The Man The Myth The Bellend."

Enraged by an unseemly love affair between best friend and teacher, a student carelessly awakens a wraith that feeds on its victim's most shameful regrets.

Korn take to the stage at the Paradiso, Amsterdam for yet another nu metal untouchable performance.

Synopsis: Agent Jayne: A Woman with a Mission” introduces audiences to the unfortunate reality of the youth drug trade, exposing the harrowing consequences of addiction and exploitation. As the story unfolds, viewers are plunged into a world of greed, danger, and moral ambiguity.   Written and directed by Waqar Peter Gill, the concept of Agent Jayne is based on real events and personal visual experiences. The film aims to emphasize a prudent issue of substance abuse amongst teens, which portrays the use of candy-like opioids. The film is a blend of social awareness amongst the youth and woman empowerment. Director’s Quote: Agent Jayne is a film designed to raise the profile of local upcoming talent, as wella s create an awareness of drug abuse amongst the youth.  As a result of the release of Agent Jayne, we can recognize the contributions of all individuals involved in this project.

A young, millionaire rock promoter creates a new boy/girl team for his teen TV dance show. Will the ambitious go-go dancer and has-been pop star fall in love for real?

Since he was a child, Estèphe dreams to work in the movie industry, alongside those whom he watches films with passion. Cinema become quickly a leisure activity, spend with his friends, directing his first amateur movies. Could he dream bigger, growing up in Normandy, far from the studios and knowing nobody in this industry ? Estème dedicate himself to his studies, without lose sight of his ultimate dream.

The opening of China to the West has produced images that focus on the more obvious: the Great Wall, the Forbidden City, the tombs of Sian. But there is another much larger part of China which we have not seen. It's the China of people, its rhythms, its patterns, its colors. This video brings us to the large and timeless world of life in China, as it is lived now and has been for centuries - vast, unchanging, and slightly mysterious. Here is but a glimpse of this other world. This dreamvideo was filmed during the months of October and November of 1986 in and around the following cities and locations: Beijing, Chengdu, Guiyang, Guilin, Yangshuo, Xingping, Yangai, Nanjing, Huangshan Mountain and Hefei.

Literature and psychoanalysis are summoned here around a mythical figure of the intellectual, artistic and psychoanalytical history of pre-dictatorship Argentina: Oscar Masotta. Having introduced Lacan’s thought in Latin America as well as structuralism, having taken action in defense of Pop art, and having himself initiated legendary performances, Masotta is at the heart of that wonderful Fifties and Seventies effervescence. But for as distinct a character as this one, Dora Garcia neither films the biopic, nor does she merely deliver the servile reconstruction of an anthology of his « actions ». Better still, and through an impure mix of both, with other elements at the forefront, she proposes floating evocation, much like psychoanalytical listening.

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

Living in the forest, little spider Temi dreams of catching the Moon. For that, she will do anything.