Director Charley Bowers has the unlikely pair of Mutt and Jeff go mountain climbing, dealing with the cartoon laws of physics and various wild animals, including a mountain goat with more personality than their exhibit in their movies.

In a little Mexican village by the American border. However powerful big shot Captain Innocencio (a misnomer indeed!)is, he proves unable to charm Lolita, the shapely daughter of his neighbor, a big-time rancher. Lolita expects better than this awkward unprepossessing showoff! Besides the fortune-teller she consults tells her her true love will get into her life after a terrible storm. This very night a violent storm does break out and an American pilot, whose plane is caught in it, is forced to make an emergency landing next to where she lives. The gringo - by the name of Phil Marvin - is both dashing and good-looking. Good news for Lolita but bad news for Innocencio who is not ready to bow that easily...

Sayuri Honda (Miki Nakatani) claims she has no interests in love affairs. She refuses to take things as they are for she fancies her harbor town of Nagasaki as Lisbon, Portugal. But on Christmas, encouraged by the season of romance, she tries to materialize her once-in-a-lifetime love with the man of her dreams.

Vermin Supreme is no ordinary presidential candidate. Promising a free pony for every American, a fully funded time travel research program, and unprecedented zombie preparedness initiatives for a new American Republic, he truly is the people's candidate and the friendly fascist par excellence. "Who Is Vermin Supreme? An Outsider Odyssey" follows Vermin Supreme's raucous 2012 campaign from the Rainbow Gathering in the the Cherokee National Forest to the Democratic and Republican National Conventions to Occupy Wall Street protests, and all the way to heart of the American Empire in Washington, DC. From the unsettling gravitas of marauding riot police to the unbridled joy of songs sung for police officers and pranks played on anti-abortion fanatics, "Who Is Vermin Supreme?" is certain to show you America as you've never seen it before.

Matthew Bourne’s Swan Lake comes to cinemas with a fresh look for the 21st century and is ‘as bold and beautiful as ever’ (★★★★★ Telegraph). This thrilling, audacious and witty production is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered convention, turned tradition upside down and took the dance world by storm. Filmed Live at Sadler's Wells in January 2019.

Novelist and filmmaker Jose Giovanni turned to the remarkable true story of how his father helped him escape a date with the guillotine for this drama, which is based closely on events from his own life. During World War II, Manu (Vincent Lecoeur, as a character Giovanni modeled after himself) fought with the French Resistance, but near the end of the war he fell into a life of crime, and in 1947, 22-year-old Manu was arrested for his part in a bungled robbery that left a man dead. While Manu did not pull the fatal trigger, he refuses to say who did, since it would mean implicating his uncle, one of the few members of his family who has stood by him; Manu's brother is dead, and he turned his back on his father Joe (Bruno Cremer) years ago. Manu is sentenced to death, and while he protests his innocence, his attempts to escape from prison do little to convince anyone that he's telling the truth.

A real estate agent is tasked with selling the former flat of one of London’s most notorious serial killers, Dennis Nilsen.

The children of two families who are feuding, fall in love.

Told through the eyes of his young daughter, an Australian soldier suffers from post traumatic stress disorder and struggles to return to family life after war.

A young advertisement director, who conducts business with models and entertainers, suddenly has the chance to take over the global corporation by masquerading as the fake son of a CEO. While being chased by investors who lost money because of his enterprise, he falls in love.

Regis Sauder returns to his childhood pavilion at Forbach. Thirty years ago, he fled this city to build against violence and in the shame of his environment. Between demons of extremism and social determinism, how do those who have remained? Together, they weave individual and collective memories to question the future at a time when fear seems stronger than ever.