Three young men decide to make easy money by mass kidnapping. After careful preparations, they hijack the school bus and take 26 children and the driver as hostages. However, the bravery and the wit of the old driver could spoil their plan for the perfect crime.

A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

An orphan girl melts the hearts of three crusty old men.

A young girl falls in love for the first time, but she has a dark secret and her boyfriend is on the verge of finding out.

The Seventh "Afrikaans is Groot" concert. It is an annual concert where some of the biggest Afrikaans artist perform

Discover your sense of jazz with acoustic guitarist Earl Klugh as he performs live on "Jazz Central"

Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In Asamblea general (1960), the documentary about Fidel's address of the First Declaration of Havana in the Plaza of the Revolution, Alea practises what becomes a sustaining Cuban contribution to documentary. Engaging with Free Cinema and cinema-vérité, his camera seems to touch the faces of the new citizen one by one rather than as a single mass before a leader.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound , finds the personalities of his characters to have a timeless universality.

A live album recorded by Gustavo Cerati at the Teatro Avenida of Buenos Aires in August 2001, where Cerati rearranged eleven tracks from both his former band Soda Stereo and his solo albums into symphonic melodies.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.