BOSTON FIRE finds grandeur in smoke rising eloquently from a city blaze. Billowing puffs of darkness blend with fountains of water streaming in from offscreen to orchestrate a play of primal elements. The beautiful texture of the smoke coupled with the isolation from the source of the fire erases the destructive impact of the event. The camera, lost in the immense dark clouds, produces images for meditation removed from the causes or consequences of the scene. The tiny firemen, seen as distant silhouettes, gaze in awe, helpless before nature’s power.

Haunted by Italo Calvino’s books and the land art of Robert Smitson, this audiovisual trip takes us through the volcanic landscape of Lanzarote. The excursion is used as a background to raise questions about art and mathematics, and whether they generate form in the same way as nature’s creative eruptions.

On a seemingly normal evening, a young girl has the misfortune of encountering the wrong people. For her, this turns into a nightmare in which she is not even sure if she will survive the night...

An old man is isolated in his home. Haunted by the loss of his beloved, he embarks upon a journey to return to her.

Short musical film paying a tribute to samba composer Zé Ketti, one of the greatest popular artists of Brazilian music. In a jam session, in the late composer's house in Inhaúma, a neighborhood of Rio de Janeiro, a group of friends get together to play his music while a "feijoada" (typical Brazilian food with black beans)is being cooked in the kitchen. The samba-players, first-rate samba stars themselves, remember Ketti's great hits in a homage to the man who was best known as "a voz do morro" ("the hill's voice" - but hill as a metaphor for a place where poor people build their shacks in slums, in opposition to city, where middle-class people live in Rio). Among the guests, names of the traditional "samba-school" Portela and ex-partners. Also, the presence of a black hat on an empty chair, represents the composer himself, who died in 1999, after a life of many accomplishments in music, and appearance in three of Dos Santos's films: "Rio, 40 Graus", "Rio Zona Norte" and "Boca de Ouro".

The rich, aristocratic Katarina Hassel have an architect renovate her mansion. Katarina fall in love with the young architect, Gunnar Stenwall. Alas, he doesn't fall in love with her. But perhaps if Gunnar would meet her identical sister, who works in Stockholm as a waitress, he would fall in love with her instead? So Katarina travels to Stockholm to act as her non-existing sister.

Father and mother Andersen and their four children live in a closed down farmside storehouse in the outskirts of Oslo. They enjoy life here, but the many neibours surrounding them are less enthusiastic about the family's lack of respect towards the supposed social order and decency they live by.

The movie will be based on the Plaid Hat tabletop game, created by Jerry Hawthorne, which is a role-playing adventure following players loyal to the king who are imprisoned in a seaside castle and turned into mice by the evil Vanestra. They must fight their way out of the castle as they face dangerous foes including rats, cockroaches, spiders and the castle’s house cat, Brodie.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Larry Wessel short film

Best friends Ruth and Megan run a vintage shop in North London. One day, their lives are forever turned upside down when an abandoned time machine appears outside their shop. Mixing reality with fantasy, we explore the strange and outlandish world of The Unreason, as the girls traverse space and time sourcing items to sell.

Moira Brooker and Philip Bretherton (Judith and Alastair from As Time Goes By (1992)) host this behind-the-scenes look at the work of the writers behind many of our favorite "Britcoms" (British situation comedies), revealing how their ideas make it to the screen.

Spectator is one of the early masterpieces by Zwartjes. The film explicitly shows one of Frans Zwartjes’ main themes: the relationship between husband and wife. It is a relationship that is strongly marked by power and domination, sexual attraction and repulsion. It manifests itself in humiliation and abuse (such Pentimento), but also in cool eroticism or natural physicality. Zwartjes’ goal is not to explain or designate this relationship. Rather it is the subject that Zwartjes uses to describe his world. In an article on Zwartjes, filmmaker and student George Schouten compares Zwartjes to the Italian writer Alberto Moravia. For both, sex is their way of dealing with reality. It is the subject by which they define their world. And for Zwartjes, it is also the subject with which he can display and develop his cinematic talent. (eyefilm.nl)