The second TV series by Kiyoshi Kurosawa made just after the pop of the economic bubble in Japan. His comical (and melodic...) analysis of Japanese society corresponds to Godard's films about French society in the 60s.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

After a ranch in Texas is befallen to a mysterious, demonic presence, it is up to an eccentric, wandering priest to find answers and dispel the darkness. As he digs deeper he soon finds that he may be in over his head and out of time.

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

Cheikh El-Hasnaoui is an Algerian singer who left his country in 1937 without ever setting foot there again. Between 1939 and 1968 he composed most of his repertoire in France. For many years the Algerian cafes of Paris were the stages of his shows. With a handful of artists of his generation, he laid the foundations of modern Algerian song. A fervent defender of women's rights, he claims, as a pioneer, the fight for identity for a plural Algeria. At the end of the Sixties, he ended his artistic career. On July 6, 2002 he died in Saint-Pierre de la Réunion, where he is buried to this day. This 80-minute documentary follows in the footsteps of this extraordinary character. From Kabylia to Saint-Pierre de a Réunion via the Casbah of Algiers and the belly of Paris.

An unfortunate mix-up leaves an unsuspecting victim in a situation of life or death.

Charles Lewis founded TapouT in 1997, prompting a whirlwind life that intersected the birth of a sport. Selling TapouT apparel out of the trunk of his car during road trips throughout California, a hot bed of mixed martial arts in the late 1990s, Lewis took on the superhero persona of “Mask" as he donned war paint on his face and wore outlandish comic book outfits. Mask's vision quickly came to represent hardcore aspects of MMA fandom at a time when the sport floundered under political pressure. The history of MMA cannot be told without mentioning Charles “Mask” Lewis, or the era in which he emerged. On March 11, 2009, Lewis was killed by a drunk driver in Newport Beach, Calif. To honor his contributions, the sport's dominant promoter, the Ultimate Fighting Championship (UFC), posthumously inducted "Mask" as the first and only non-fighter into the UFC Hall of Fame.

If you want to know what is Slam, you have to come see it. Freaks, piercings, thongs and a lot of cream. 100% wild.

Yasuo (Hiroshi Abe) grew up as an orphan. He married a woman he loved and they had a son Akira (later played by Takumi Kitamura). Yasuo's life seemed great at the time, but his life totally changed after his wife died in accident. Since that time, Yasuo, who never experienced parents' love himself, has to raise his son Akira alone.

The movie is about a girl's emotional turmoil after a breakup and her ever supportive brother and how they try to get through the difficult period.

A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.

An old tamer uncle Vasya with an old bear Gosha and their friends manage "Russian safari" for strangers where the bear must stay alive.

The weightlessness of youth: every breath radiates opportunity and hope; every sense thrives on the wealth of the present; every thing whispers of brilliance and awe. When you've seen the season’s first great snow through the eyes of a child—you've known true happiness. But what happened to that simple joy? Where do we find the freedom that time and wisdom stole away? Valhalla, Sweetgrass Productions’ fourth feature film, is the tale of one man’s search to rediscover the freedom of his youth. Feeling the distant heat of it’s fire still burning in the mountains of the frozen north, he goes in search of those tending the flame—the untamed, the wild, and the outcast dwelling on the fringe. Weaving narrative-driven style with award-winning, face-melting backcountry ski and snowboard cinematography; Valhalla is a vivid explosion of color, character, snow, and nostalgic soul.

1989: 64th and last year of the Showa era. A girl is kidnapped and killed. The unsolved case is called Case 64 ('rokuyon'). 2002: Yoshinobu Mikami, who was the detective in charge of the Case 64, moves as a Public Relations Officer in the Police Affairs Department. His relation with the reporters is conflicted and his own daughter is missing. The statute of limitations for the Case 64 will expire in one year. Then a kidnapping case, similar to the Case 64, takes place. The rift between the criminal investigation department and police administration department deepens. Mikami challenges the case as a public relations secretary.