Here Come the 123s
Rock legends, THEY MIGHT BE GIANTS return with their 2nd Children's album, GRAMMY® - winning HERE COME THE 123s. Follow up to the smash hit album, HERE COME THE ABCs, this fun and exciting CD + DVD of HERE COME THE 123s takes children on another educational musical adventure! This 2 disc set features 24 Brand New Songs PLUS an entire DVD of Music Videos that complement the songs on the CD.
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They Might Be Giants: Here Come The ABCs
Learn the ABCs the fun way with The Grammy® - winning rock legends: They Might Be Giants 'Here Come The ABCs' CD + DVD features 24 New Songs PLUS 24 Music Videos. Enjoy both the CD and DVD in this package. The DVD contains over 45 minutes of animations, the wonderful puppets of the Deeply Felt Puppet Theater and performances!
1234
Ian Bonar is Stevie, a wannabe musician whose look is a hybrid of Jarvis Cocker and early Elvis Costello. Working with his drummer pal Neil (Matthew Baynton) in a call centre, they dream of breaking into the indie music scene. To do this they require additional band members. Step forward the driven (and drinking) guitarist Billy (Kieran Bew) and slightly scatty bassist Emily (Lyndsey Marshal), who has a sideline in making sculpture from hair.
The Yellow Car
On a tourist trip abroad the passengers on the coach witness an assassination attempt on the President Hurkas. One of the tourists has evidence against the perpetrators, and is killed when the coach reaches Sweden. Another passenger observes how one of the perpetrators is picked up by a yellow car. She is kidnapped and locked up in a mental hospital.
A suon di lupara
Claudio Lacroics, a French-born prosecutor, is in Sicily to fight the Mafia. Every day he clashes with the beliefs of a community where the only rules are prejudice and silence. In addition, Claudio has married Lucienne and welcomes his sister Roberta into his home; she returns only to ask for money with her lover Richard.
Happy, Too Happy
What is beautiful about adolescence is that it is a time when everything is still possible. The four main characters are each conditioned by their background and environment, but they refuse to accept any predestination and to fight it. Expelled from schools, spurned by lovers, confined by identity these youngsters just keep on running, frustrated and in flames. Lonely hearts, intoxicated by music and alcohol, by the heat of minds and bodies, burn to ashes.
Ταχύτητα και αγάπη
1
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
The Moon's Our Home
A writer and an actress meet and marry without really knowing each other--they are even unaware that both bride and groom are equally famous. During the honeymoon, all hell breaks loose as a comedic war of the sexes leads inevitably to love.
Bigfoot
When Arvid, the most malevolent yeti in all of the North Pole has come in possession of the powerful Master Scroll of The Naughty Children, he enlists the scroll's powers to banish Santa, his sworn arch nemesis, to the Land Of Holiday Misfits, a dreary place from which no one can return. It's up to a boy named Finn and his mighty dragon Haldor to rescue Santa and save the day before it's too late!
Vicky and Sam
While working at the local video store, Vicky meets Sam, who quickly becomes a regular costumer. Both fall in love, ignoring the true reason for their rendez-vous.
Fox Woman
The film is based on a legend of the Mapuche Indians. It is the story about a fox that goes to heaven to visit her uncle, but gets cruelly cast down. In the film the personification of animals provides this slightly absurd legend with social context.
Cinéastes de notre temps : Erich von Stroheim
Beauty Spots in America: Castle Hot Springs, Arizona
Beauty Spots in America: Castle Hot Springs, Arizona (1916), a promotional film for a spa for the rich and famous.
Law Don
Hong Kong crime movie from 1979, The family patriarch hands over power to his eldest son. Fighting off challenges from rival gangs, the son runs the family businesses in a fair, yet authoritarian and ruthless manner. Meanwhile, his brothers start to grumble.
Without a Stitch
When a high-school girl complains of her inability to reach sexual climax, her doctor suggests that she keep a diary of her sexual encounters. She does just that and soon finds herself caught up in a sexual merry-go-round that includes making a hardcore porno film in Sweden, an escapade with a German sadist and a lesbian encounter.
歌行千里
Emerson, Lake & Palmer - Live at Montreux
Keith Emerson, Greg Lake and Carl Palmer first joined forces in 1970 and went on to become a global success story. After a break in the eighties, they reunited in the early nineties and took to the road once more. In 1997 they made their debut at the Montreux Jazz Festival with a performance that included all their trademark virtuosity and showmanship. The show includes classic tracks from across their career including Karnevil 9, Hoedown, Take A Pebble, Lucky Man, Tiger in the Spotlight, Tarkus and Fanfare for the Common Man. Recorded live on July 7, 1997 at the Audtitorium Stravinski, Montreux Jazz Festival (Switzerland). Programme copyright 2010.
Toward Silence
After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.