It’s Christmas time and Jackie, an up-and- coming journalist, finds that her life is at a crossroads until she finds an unexpected opportunity – to run a small-town newspaper in Alaska. Jackie decides to give it a try and relocates to the small picture-perfect small town. Using a series of Christmas articles, she’s able to quickly return the newspaper to profitability, and soon falls in love… both with her new home and the handsome son of the paper’s former owner. However, when her old boss announces plans to take over the paper for herself, Jackie will need a Christmas miracle to save it.

When Alex is caught using magic to clean her room she is forced to go to wizard school with Justin. Max and Jerry camp out on the terrace to prove their manhood.

Lady Florence hides her lover, a Prussian spy, from the French troops who are hunting for him. One of her other suitors, a French officer, discovers the hiding place and threatens to kill the spy.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

An off-camera narrator takes us through various scenarios of "just suppose". First we watch what would happen if a private detective behaved at home as he does in the movies; it's a ticket to a domestic disturbance. Next, a son gets to treat his father the way his father treats him. In the third episode, to a shopkeeper's chagrin, a man shops for a hat the way a woman does. In the final sketch, we suppose a household in which the man gets pregnant and has a baby, while the mom, clueless about little children, is the one with the career.

Kammo lives a very wealthy lifestyle with her widowed multi-millionaire dad, Girhdarilal, who would like her to get married to someone who is not after their wealth. To his dismay, she chooses to marry a Pilot named Sumankumar, who is known to womanize, and for his greed, so when he disapproves, she runs away. He advertises for her safe return and offers to pay Rs.1.25 Lakhs to the finder. Four days later, Kammo returns and she is not the same anymore, she is more humble, sober, and respectful. Fully appreciative of this, Girdharilal agrees to get her married to Sumankumar. Just before the marriage, a man named Sagar approaches them - and it is this visit that will change their lives forever.

A snake-oil salesman is chased across the desert by a gang of Mexican bandits. He finds out, however, that he is being protected by the spirits of Davey Crockett, Pecos Bill and Johnny Appleseed.

Tommy dos Santos wasn't born a psychopath, nor was he made into a sociopath. He was something entirely new, and he was walking his own path - a path that will run red with the blood of the foulest most fiendishly frightening creatures ever conceived by man! No longer do they have the starring role in our nightmares, it is now the clowns who are the prey, running for their lives from a killer who won't stop until every single one of them is dead. As Tommy's body count rises, he finds himself getting closer and closer to what he thought was a ghost, the once great clown king known as "Giggles," and wonders - if laughter can't die, how about Giggles?

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

The mystery begins when Shaggy and Scooby win tickets to "WrestleMania" and convince the crew to go with them to WWE City. But this city harbors a spooky secret - a ghastly Ghost Bear holds the town in his terrifying grip! To protect the coveted WWE Championship Title, the gang gets help from WWE Superstars like John Cena, Triple H, Sin Cara, Brodus Clay, AJ Lee, The Miz and Kane. Watch Scooby and the gang grapple with solving this case before it's too late.

“Portrait of Wally”, Egon Schiele’s tender picture of his mistress, Walburga (“Wally”) Neuzil, is the pride of the Leopold Museum in Vienna. But for 13 years the painting was locked up in New York, caught in a legal battle between the Austrian museum and the Jewish family from whom the Nazis seized the painting in 1939.