33 1⁄3 Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good, guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three. Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees' final performance as a quartet until 1986, as Peter Tork left the group at the end of the special's production. The title is a play on "​33 1⁄3 revolutions per minute."

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

Prabha prepares to meet Nandini, his childhood friend, at a reunion party organised by his father. However, things take a turn when Nisha, a gangster's daughter, falls in love with him.

After two girls cruelly impersonate her online in a "reverse cyber bullying" plot, Ashley's reputation is ruined and she and her mother flee a growing threat to their lives. Starting over at a new school, romantic interests and the poignant lessons from an eccentric history teacher draw them out of seclusion until they realize confronting a hurtful past is essential to ensure a brighter future.

There's nothing dreamier than the moment when the lights go down and the show begins. Now imagine capturing that feeling for 77 minutes of concentrated bliss. Exploding from the vaults of the American Genre Film Archive (AGFA), THE CULT OF AGFA TRAILER SHOW is a sequel to THE AGFA HORROR TRAILER SHOW . . . and AGFA's wildest mixtape yet. Meticulously constructed by the mad scientists at AGFA to resemble an otherworldly night at a mall multiplex, this compilation features rare trailers, commercials, and ephemera—all of which were preserved and scanned exclusively for this project.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Animated adaptation of Kir Bulychyov's sci-fi short fiction.

Chaos ensues as a gay actor and his female costar fake being a couple as they try to save the press junket for their new television show.


In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"

The study stylizes the highly concentrated training of a basketball team and the start of the big game the next day. Bodies, movements and sounds are fragmented in unusual excerpts, alienated by the reduction to black and white and reassembled in an original and fast-paced montage.

Steffen and Lennart wake up after a long party night. Having a bad hangover they accidental kill one of the other party guests. In a series of vignettes we get to know several people who are all involved in the situation. A film about the fact that, we often expect more of others than of ourselves and how difficult it is to accept that we are responsible for our actions.

Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

Mr. Rossi goes camping.

Natsumi is proposed to by Yamato, a man who aims to become a fisherman to succeed his father. Her grandmother Kiyo, who raised her since a young age, broke her legs and uses a wheelchair now. Kiyo lives in a facility where Natsumi visits to tell her about the wedding. Natsumi suggests the idea of Kiyo walking along the wedding aisle with her, which encourages the week Kiyo. With that mindset, Kiyo regains hope and try to get better with the help of Natsumi

Fictional documentary that narrates the 40-year period of Argentine history from the 1930s to the 1970s.