Three Italian retirees embark on a journey to find a new country to live in.

Tunisia, summer 2011. The holiday to the South of the country ends in disaster for Fares, Meriem and their 10-year-old son Aziz, when he is accidentally shot in an ambush. His injury will change their lives: Aziz needs a liver transplant, which leads to discovery of a long-buried secret. Will Aziz and the relationship survive?

When world-famous conductor Eduard Sporck accepts the job to create an Israeli-Palestinian youth orchestra, he is quickly drawn into a tempest of sheer unsolvable problems.

A rowdy woman is so forceful that she outdoes her husband in a loud cry against speculators who refuse poor people entrance to a block of new apartments, built after WW2. Without noticing it, she starts a people's movement, and leads a march to the capital. She returns to her village a winner, an honourable MP. Yet, she is still the same simple, fiery woman, able to get in a hair-pulling brawl with the local barmaid for the affection of her man.

Cristina Comencini defines the film as a "thriller of the soul." It's the story of a woman who returns to Italy from the US to attend the funeral of her late father, an American admiral living in Naples. Here she meets a man who seems to know too many things about her.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino's funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina's older friends, a landowner losing his land, dramatize contrasting images of Italy's future. Their own futures are bleak.

In three vignettes, two exes, a tour guide and a married couple struggle to overcome a series of misadventures during their vacations.

In the absence of any physical connection, this short explores alternative forms of contact among neighbors by making use of an old 16mm camera, a zoom lens, and a few meters of expired film.

Approaching age 50, singer/songwriter Nico leads a solitary existence, far from her days as a Warhol superstar and celebrated vocalist for the Velvet Underground in the 1960s. Her life and career on the fringes, Nico's new manager convinces her to hit the road again and tour in Europe to promote her latest album. She longs to rebuild a relationship with her son, whose custody she lost long ago.

An adventurous love story between two young women of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance.

In her public persona, Eleanor “Tussy” Marx was a translator, actress, a children’s rights activist and a persuasive labour organizer, a tireless powerhouse determined to carry on her father’s work. She held her own with twentieth century gods, including both her father and his colleague Engels. In her privately life, however, she was vulnerable and her attraction to the self-indulgent and self-important Edward Aveling led her into misery and ultimately proved fatal.

Fahim Mohammad, a Bangladeshi immigrant, becomes a world junior chess champion in France.

This is the story of two completely opposite households: the Pavone are intellectual and bourgeois, the Vismara are proletarian and fascists. They are two tribes sharing the same jungle: Rome. A trivial accident brings these two poles together. The madness of a 25-year old youth will set them on a collision course, discovering the cards to reveal that everyone has a secret. People are never what they seem – but we are all predators in the end.

After 20 years of marriage, Maria decides to leave her husband. She moves into room 212 at the hotel across the street, with a bird’s-eye view of her apartment, her husband and the life she shared with him. While she wonders if she made the right decision, many of the people in her life offer their opinions on the matter. They intend to let her know, whether she likes it or not, on what proves to be a life-changing evening.

If Bugs Bunny were to direct his signature inquiry--"What's up, doc?"--toward the modern-day Warner Bros. creative team, he wouldn't be far off. For 1001 Rabbit Tales, they've doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here's the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids' book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam's pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who'd sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

Umberto, Lucia and Corrado discover that their co-worker and friend Umberto is terminally ill, but they can't bring themselves to tell him. They decide instead to organize him an unforgettable holiday trip to the South.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where do babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.

On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.