Pialat's first film was the short Isabelle aux Dombes, shot in 1951 when the director was 26 years old. The film is an entirely silent montage of documentary footage, ragged experimental techniques — mainly some negative-image inserts — and symbolic psychodrama that's surprisingly not too different from the work that Stan Brakhage would begin making just a year or two later. Images of death proliferate throughout the film, and what started as a loose documentary soon becomes an eerie psuedo-horror piece that's obsessed with death and decay.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

Joy To The World, A King Is Coming To Town, Jesus Loves Me, O Come, All Ye Faithful, Jesus, What A Wonderful Child!, Deck The Halls/Jingle Bells/Feliz Navidad, Go Tell It On The Mountain, My Heart Would Be Your Bethlehem, Walking In The Light Of God, Born In Bethlehem, Down In Bethlehem, Changed By A Baby Boy, The Greatest Gift Of All, The Savior Of The World Has Come, Glad Tiding, Let There Be Joy, From Heaven’s Point Of View, Away In A Manger, I Saw Him In The Drugstore, Reaching, Silent Night

A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.

Filmed record of a burlesque performance.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

For the first time in history you'll be able to see the last unfinished film from one of the greatest car-chase filmmaker's (Halicki) that ever lived, who loved to chase, wreck and destroy anything on four wheels. He bought over 400 cars to devour. It's one of the most amazing car crash chases ever filmed! Halicki reprises his role as the legendary car booster... on the run from some killers and the police he boost a Semi Tractor-Trailer... the chase destroys half the city... the other half is destroyed by the 'Slicer' (a custom built wedge car). The car is unstoppable - it can flip any truck or car in it's speeding path! You'll see why they nick named Halicki "The Car-Crash-King." You won't believe your eyes - you'll watch it again and again... the action never stops!

A turbulent day in a life, painted by air.

Just who is Vincent Kennedy McMahon? To some he is the sports entertainment innovator and visionary corporate leader of a multimillion dollar company. To others he is evil personified- the manipulative sadistic boss of a corral of WWE Superstars who takes great personal pleasure in making others suffer. Mr. McMahon has achieved stunning successes and experienced humiliating defeats and yet keeps coming back for more. What other boss requires his employees to literally kiss his bare ass on national television? This 2 disc production takes a look back at what caused Vince McMahon to come out of the announcer booth and right into some of the most controversial moments ever seen on television. For the first time ever the onscreen and offscreen intrigues of the world’s most notorious boss are broken down by the people who know the man best. Exclusive interviews with Shane, Stephanie and Linda McMahon, Triple H, Hulk Hogan, Kurt Angle, Eric Bischoff, Paul Heyman, and more.

This music video was shot for Sour's 'Hibi no Neiro' (Tone of Everyday) from their first mini album 'Water Flavor EP'. The cast were selected from the actual Sour fan base, from many countries around the world. Each person and scene was filmed purely via webcam. The song is about discovering your own colour or voice in this world. The webcam provided the perfect medium on which to explore this. Not only did it alleviate the challenge of the non-existent budget but it also overcame the fact we couldn't film the band in person, given the fact the band live in Tokyo, and we all live in New York. Millions of people use webcams to express themselves everyday. What if these individuals were given the chance to collaborate? We felt the result could be pretty powerful and something that no-one had seen before. The video has been picked up by Japanese news, and was viewed 700,000 times in 20 days on YouTube, and has become the #1 Japanese animation film of all time on YouTube.

Non-theatrical government - war short Produced for Coordinator of Inter-American Affairs

The latest Gasperlmaier case has almost ended in Ausseerland. On the day of the Pfeiffer's Day, of all days, a young musician is found dead on the Weißenbachalm pasture, and Gasperlmaier must once again embark on a criminal hunt. This time, too, the likeable police officer, Franz Gasperlmaier, can't rest. Not only is his beloved wife, Christine, traveling the world, leaving him alone with the household, but a new murder case is keeping Gasperlmaier on his toes. At the annual Pfeiffer's Day, where he is about to enjoy a fine schnapps with station commander Friedrich Kahlß, a scream shatters the peaceful atmosphere.

A woman goes to her safe place, the movies. She reflects on the ritual of understanding humanity in the darkness only to complete the unspoken agreement between the movies and the audience.