Indranath’s son is ill, Guru Omkarananda suggests he pray to the goddess Kamala. His son improves but bad luck follows Indranath; his son and daughter die. Unable to stand the grief the Queen/Kalyani loses her mental equilibrium. Goddess Kamala manifests as Rupasi, the daughter of Omkarananda. Virodhananda and his son Tribhanga are the incarnation of Narad and Narayan on earth. The kingdom goes through difficult times. Omkarananda is arrested and Rupasi goes to meet Bastabesh/Indranath who is attracted to her. Rupasi takes refuge in Birodhananda’s house to avoid Bastabesh’s advances. Birodhananda is interested in getting his son Tribhanga married to Rupasi. Bastabesh goes after Rupasi/Kamala who blinds him. Finally the gods perform their miracle and a repentant Bastabesh is restored his sight and kingdom.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Short animated film.

Delves into the history of software development that started as a woman-led industry but has evolved into a majority white-male and Asian-dominated industry. It tackles the tough topic of why women as well as black and Latinx people don’t pursue software careers. The film aims to shine a light on how amazing a career in software can be and how diversification makes better software and can be a generational change for many.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Naruto and his friends must get back a jug of stolen holy water from a band of higher class ninjas.

Star is a young graffiti writer, the best in his city, Paris. His reputation attracts him as much into art galleries than in the police precincts. Accused of vandalism, he faces jail. Despite the threat, he decides to go to Rome with his crew in search of the meaning of his art.

Dressed up as detective Sherlock Holmes, Slick must crack the case when a magician turns Jeff's spooky-costume party guests into their scary alter egos.

Shortly after the nuclear Chernobyl disaster in 1986, a father risks his life and returns to his deserted apartment to retrieve his front door.

A short film made “for fun” that plays with surreal and evocative imagery

The man in the white coat does not seem to be in a hurry as he overstretches the lifetime of his patients waiting in the waiting room to tell them the exact time of their death. Sebastian Doringer's black-humorous satire shows that time does not always mean money, and that the "Gods in White" do not always heal, but do have life in their hands.

A non-film, with a non-story. moments to keep, moments to hold, moments.

A film about a pregnancy

Dunya's perfectly planned graduation party is headed for disaster when she is abandoned by all of her household help. Can this celebration be saved?