I Do Not Forgive... I Kill!
Don Ramon, a wealthy patron, receives his son back after he has sent him away to medical school, only to have him fall in love with his new young wife.
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Left-Handed Fate
Gim, an attractive advertising model, decides to face her destiny and confront a mysterious serial killer who relentlessly pursues the most beautiful women in a disturbingly empty city.
Tora-san's Grand Scheme
After winning big at the races, Torajiro Kuruma wants to take his aunt and uncle on a trip to Hawaii to partly pay the great filial debt he feels he owes them, but the plan hits a snag. Also, a pretty kindergarten teacher rents a room at Toraya.
Gasping for Air
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
The Way Back Home
An atmospheric venture into slow cinema, following Rose, a down and out gay prostitute, trapped in the minutiae of his quiet and isolated life.
Circle
This short film follows a man lost in the woods driven by his fear of the unknown.
Main Inteqam Loonga
Kumar Agnihotri belongs to a wealthy family, consisting of his dad, Madan, and mom, Janki. He is in love with beautiful Mala Bajpai, and they hope to marry soon with the blessings of their respective parents. Kumar's other passion is boxing, which Janki loathes, and hopes that he will give this up soon. When the Agnihotris bring home a woman named Ganga, and introduce her to Kumar as Janki's childhood friend, Kumar finds out that Ganga is his biological mother, and his father, Ajay Kumar, was the National Champion in boxing, who was killed by three men for refusing to lose a fight. While Janki is afraid that she is going her son to Ganga, Kumar has decided to avenge his biological's father's death by any means, little realizing that he may face the same fate his father did years ago.
Crimson Forest
Upon waking up in a strange forest, a young man questions whether or not the environment around him is real or a figment of his imagination.
The Nullarbor Nymph
Following two Water Australia employees who travel out along the Nullarbor Plain only to discover they are being hunted by the mythological creature, the Nullarbor Nymph.
Fatal, Fatal Mirada
A film crew led by a woman but made up of men attempts to humorously document a series of interviews addressing gender issues. The interviews were conducted in the context of the International Women and Film Festival, where the prevailing "politically correct" discourse is undermined by the radicalized opinions of some participants. Fragments of scenes from Argentine films from the 1950s are mixed in to ironize the feminine stereotypes of the era.
Playing Victim
Playing Victim tells a story of a career woman named Rina who for the first time in her life, feels love and connection from a man and aspiring musician, Rifka. However, their relationship lies in Limbo as Rifka seems to be hiding a secret, one that comes from his own past.
Meurtres au Mont-Saint-Michel
A seemingly mystical murder takes Captain Sophie Maliquot back to the Mont-Saint-Michel region where she spent part of her childhood and where her father, who died years earlier, is buried.
Thermopylae
A distraught man in coat and tie grips the guardrail at a remote cliff overlooking the Pacific. At a boys' high school in toney Rancho Palos Verdes, Mr. Radford teaches classics. His best student is the earnest Andrew. Late one evening, Andrew stops by Mr. Radford's office; Andrew's been the only student to do well on a recent exam. They chat, and something happens that brings a sleepless night to Mr. Radford. The next day, Andrew misses Mr. Radford's class, and after, Mr. Radford is aghast to see Andrew and Andrew's father waiting outside the principal's office. What's the teacher's fear, and what will he do about it?
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A Month in Thailand
In Bucharest on a winter’s morning, a couple make love. Adina wants to move in with her boyfriend Radu as soon as possible. He, on the other hand, is slightly more reluctant but appears to simply tolerate her plans. Today is New Year’s Eve and Radu and Adina have a lot to do: the two have planned a visit to Adina’s parents followed by a party with friends. While buying last-minute gifts at the supermarket, Radu thinks he spots ex-girlfriend Nadja, who he has never forgotten. In one small moment, Radu’s insecurities about Adina come bubbling to the surface. No sooner have the corks begin to pop, the relationship comes to an abrupt end. This is followed by the perfectly timed offer from Radu’s friend Alex to hit the town with him and his friends. Radu accepts the offer in the hope that Nadja is also out. Director Paul Negogescu draws a portrait of Radu with precision and subtle irony – and captures the atmosphere of a New Year’s evening with great authenticity.
One of Our Own
Michael Ironside headlines the cast as Jack, a Denver cop investigating the case of a murdered army sergeant. Things heat up when we learn that the death may be linked to a massive weapons trading scandal and, even worse, when Jack's friend Jennifer is kidnapped. The bad guys better beware now things are personal.
Los años chanantes
Mudhal Mariyathai
A middle-aged upper-caste man, living unhappily in a loveless marriage, finds solace in his friendship with a boatman's daughter.
Calypso
Inspired by Homer's Odyssey, the film creates a queer reinterpretation of the nymph Calypso who traps Odysseus on her island. This intimate and sensuous rendition unveils the characters' emotional states through subtle gestures and contemplative portraits, delving into feelings of love, longing and abandonment. "Alienated by the outside world, Calypso (Jamieson Edson) and Odysseus (Cameron Stetz) lay naked in bed allowing their bodies to be warmed up by the light of day, and the realness of touch. Penelope (Quagliata) denudes herself behind and in front of the camera. The voice of the Greek nymph Calypso is expressed by silent intertitles adapted from Homer’s Odyssey." - Mónica Savirón, Museum of the Moving Image
Domestic Bees
Usually it’s not a good sign when a film opens with death walking in the door; however, in this wry short, the appearance of the Grim Reaper (who exits again as quickly as he arrived) is just one of several intersecting stories that unfold within the hive-like confines of the film’s tranquil universe. Deftly playing with narrative structure – while challenging the viewer to keep up – “Les Abeilles domestiques” is a masterful exercise in “deconstruction” that’s both extremely clever and highly entertaining.