Suzi's a nerdy scientist with a crush on Todd. But Todd's dating the dominating Liluth and doesn't even know Suzi is alive. So Suzi begins experimenting with a formula that will make her sexy and seductive. It works...too well! Suddenly 30 ft tall, she discovers new strength she never imagined possible. Liluth, jealous that this loser has such power, swallows down the rest of the formula. Soon she is huge and grabs up Todd to find Suzi. She does and they battle. But then they find themselves attracted to each other. And that's when the fun really begins!

A man engulfed in the suffocating grip of loss finds his life fragmented. Struggling to navigate through his emotional fog, his mother suggests a retreat to her cabin – but an ancient entity that thrives on sorrow has taken root. The New England winter punctuates this love letter to creeping horror and slow cinema.

This short film follows a man lost in the woods driven by his fear of the unknown.

Directed by Edwin S. Porter and/or Wallace McCutcheon Sr.

After finishing his MA in Anthropology, Hugo spends his days giving his brain a rest from the endless reading of texts by unknown authors. His only company is Luisa, the cleaning lady, with whom he plays cat and mouse. To escape the sleep of reason – which creates monsters -, Hugo exercises his lyrical vein by writing, with his friend Manuel, songs about their neighbourhood. The quiet dilettantism of our protagonist is shaken by Catarina, a young and beautiful translator who’s starting her professional life as a freelancer. Hugo is hooked and wavers. High above, a kestrel falcon hovers. It’s not the only bird of prey that can do it.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

Mounya doesn't like the desert, and she doesn't like Majid either, but she agreed to go with him for the weekend to southern Algeria. Rabah Bouberras directs an intimate film which tells the story of a woman taking stock of her past and present during a trip to the south of Algeria with her son and her second husband.

The girls are back. Their business has been a success, and a purchase contract has been signed with an international megabusiness. But the company CEO is not playing straight - he wants only the land the carwash locations are sited on - to tear them down and build condos. The girls have only a week to raise $4 million to buy their company back. Lingerie sales over a TV channel is the method of choice, and since the product is demonstrated by the carwash principals, the flesh quotient remains as high as expected.

Dinda just wants to be happy, but often reality does not match expectations. But now he meets someone who makes him realize: good love is not always full of wounds. A sense of calm that is not restrained, maturity that is not excessive and still gives freedom to every childish nature.

Italian 60's drama about a pimp called Il Principino and his violent and troubled relationship with a prostitute called Laura.

A featurette that sheds light on the filmmaker’s approach, and how he turned a character-driven domestic drama into one of the 2018’s most harrowing cinematic experiences.

A place-specific film-excavation of Bixiga neiborhood – São Paulo. Choreography of forces that cross present time. Filmancy, clairvoyance is the vision of what is taking shape.

The shocking story of Richard Leopold and Nathan Loeb, two wealthy college students who murdered a 14-year-old boy in 1924 to prove they were smart enough to get away with it.

A feature-length documentary film exploring the life and legacy of shock comic Sam Kinison, a former Pentecostal preacher turned stand-up comic who repurposed his pulpit-honed chops to the brazen rock 'n roll world of MTV-era comedy.

Det Støver Stadig er den anden film i den populære "Støv-serie" (Støv På Hjernen, Støv For Alle Pengene). Atter stod Arvid Müller og Aage Stentoft for det festlige manuskript, der introducerede nye sæder og skikke på det danske boligmarked. Man genkender let det lille samfund i "sovebyen", men store omvæltninger har fundet sted siden sidst, for beboerne på Solvænget har - med kommunestøtte - købt den ejendom, de bor i, og (- så kom noget, dengang, helt nyt) hustruerne har måttet tage arbejde for at klare økonomien! Helt forrygende er fru Rigmor Hansen (Bodil Udsen) som bestyrerinde af et Quick-vaskeri. Hendes "sandheder" om det nye dagligliv i Danmark sidder klokkeklart - og er evigt unge. Ejendommens første generalforsamling med gutterne i opgangen - og aflæggelse af første års regnskab, er gyldne scener fra dansk familiefilms guldalder.

Presumably inspired by Pete Walker's 4 Dimensions of Greta this is another 1970s sex comedy filmed in 3D. Walter Boos however went all the way - we do not have just the odd 3D boob scene, the whole film is made in 3D. The viewer is constantly reminded of that, because the cinematography is truly bizarre with plenty of scenes of rather peculiar camera angles that strongly emphasize the 3D effects, e.g. a girl on a swing moving towards (and above) the camera, twigs hitting a car window, and many many more. The exaggeration of 3D makes these scenes quite funny, as the effects are completely over the top.