As the release of the ‘Tutto Verdi’ series from the Teatro Regio progresses, one has begun to have fears that the later Verdi operas will fail to measure up to the standards that have been set on DVD by productions from international houses across the globe. The issues of the early and middle period Verdi works have been welcome, because these pieces are so rarely encountered in the opera house; but with Macbeth and Luisa Miller we are coming to operas that have been performed by major artists in major productions with superb orchestras and conductors.

In this WWII drama, Russian soldiers take a break at a scenic farm in Poland, and the unit is able to escape the horrors of war during their brief respite. A Polish farm girl and a Russian officer feel a mutual and unspoken attraction towards each other.

In early 19th century Wales, Catherine Morgan, a widow with two daughters, must endure the bumpy road to a distant market in order to sell her cattle to save her farm and family.

A boy and girl, a hot July day, a railway station, an encounter.

Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down to almost nothing, then bounces the customer right out of the cab. Mickey pulls up to the curb and picks up his second passenger, Minnie. She plays her accordion while they ride. The cab gets a flat tire, and Mickey uses a pig to pump it up.

Ulderica was a peculiar child, brave but at the same time afraid. Today she is an artist and retains the soul of the child she was. A never-before-seen portrait of the great Friulian photographer.

Jack Ridge is a former piano prodigy living on a farm he has let go to seed. He's living in the past, but the future is coming for him.

A struggling private detective is drawn towards a mystery around unidentified dead bodies turning up near railway tracks, and soon the case becomes significant both at the professional and personal levels.

Osher, Michelle and Eitan were evicted from their homes as children and transferred to foster care. These are supportive and stable families, but with a specified expiration date - when the boy / girl turns 18. The biological families are in a state of dysfunction and are absent. The film accompanies the three towards the end of the last year as part of the foster care and the first year of independence. The personal relationship that develops between them provides them with a supportive, stable and shaky framework at the same time, similar to that between the drowning person and the straw. Without the protective patronage of the foster care framework that has loosened or expired completely, they are exposed and swayed to the wind when past traumas burned into their minds may erupt and crush at once what has been built, or seemed to have been built, with much toil and torment.

Wei Zeng Jing, the president of a company, maintains an extramarital relationship with a beautiful girl, Yi Ling. His wife, however, will hire a private investigator and soon discover the infidelity.

Four short stories that show the spark of the Mexican to see everything from the most comical side.

A Martian invader crashes his spaceship conveniently close to the workshop of a scientist who is developing an interplanetary craft. If the extraterrestrial Purple Monster can complete the rocket ship and return to Mars, he will be able to start a full-scale invasion of Earth. Good thing Craig Foster sets out to thwart the Monster's mission!

First place winner in short film at NFAF 2014; directed, written, filmed and edited by Alex Currie; starring Kourtney Cox, Jordan Hofschneider, and Fred Cox; Narration by Michele Benzin.