A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.

In this last episode princess Fantaghirò ends up in a parallel dimension fairy land full of kids. Here the princess must fight against a villain called "Nameless".

After the death of their abusive father, two estranged twin brothers must reunite and sell off his property.

After Suman's father leaves her in the care of another family while he travels abroad, she falls in love with Prem. However, in order to for them to marry, Prem has to prove to Suman's father that he is not the same as his own dad.

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

Bety was Diana's childhood friend. They grew up together, attended the same school, share the same friends. But Bety is in prison now and Diana wants to understand how her friend got there, so she decided to make a documentary about her friend.

A woman is caught between one man's love and another man's obsession. She fears one and fears for the other. One stands for love and the other for life. Who will she choose?

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

A dark story about obsession, cats, and birthday presents.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

"Tigre Reale" (1916) was the film that consolidated Frau Menichelli's stardom, a film more than suitable for her performing skills and silent idiosyncrasy that any silent diva would kill to star in… In "Tigre Reale", Frau Menichelli performs the part of Frau Natka, a Russian countess with a troublesome past and an uncertain future. She was married to a revolutionary and the matrimony ended in tragedy. She likes to flirt with men but due to her traumatic sentimental past, she doesn't allow herself attachments. That is until she meets a young diplomat who will help her to make up her mind and exorcize her old sentimental traumas.

Kip is an intelligent and sensitive boy with a great passion for anthropology, thanks to his mother who is studying the glacier mummy Ötzi, displayed in the South Tyrol Museum of Archaeology in Bolzano. When a tragic accident changes Kip’s life, he has to leave Bolzano and his best friends. On his last days in the city, Kip a final time goes to the museum to say goodbye to the mummy, as something magical happens and Ötzi wakes up ...

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

A story of struggle and tragedy, the film features harrowing underground disasters, heroic rescues and traces a history of strikes, industrial turmoil and the current push by global mining giants to destroy regional communities and replace local mineworkers with a subservient itinerant workforce.