Images and sounds of American mass media, are dissected and carefully composed into a rapid-fire montage which reveals the processes at work. The myth of the 'body beautiful' is effectively debunked in an overwhelming swirl of movement and sound

Two Minions are busy at work in the mailroom. One of them, bored, decides to throw a box of expired PX-41 samples into its designated chute.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A portrait of teen escort, 'Coco'.

Popeye and Olive prepare to make a movie while his nephews watch. The movie is a significant portion of Popeye the Sailor Meets Ali Baba's Forty Thieves, which makes up over 80% of this release (beginning with Popeye, Olive, and Wimpy suffering in the desert), and despite admonitions, the nephews get involved a couple times, most notably tossing Popeye his can of spinach.

Bellend Productions'(TM) 1X Nominated Documentary "The Man The Myth The Bellend" Directed by Rhys Walkington is the first ever Bellend Productions(TM) Film and is a documentary about the Life of "The Man The Myth The Bellend."

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Based on the original animated series Ben 10. Ben becomes targeted by an evil Mechamorph Warrior, named "Retaliator," who mistakenly blames Ben for something he did not do and attempts to destroy all aliens.

The boss of the Hung Hing gang, Tian Sang, has died. Ho Nam and Hon Bun find Sangs younger brother, Yang to lead the gang. Meanwhile, Hon Bun receives news that his younger brother, a leader of the Tuen Mun gang has been assasinated. They travel to Hong Kong to settle the matter.

School is over for the day. A stationary camera is trained on the door of the high school at the top of a few stairs. A man and small boy emerge, followed by wave after wave of boys, each in jacket and tie, most wearing caps. A few are arm in arm. At least 150 boys and young men appear. Then about 120 women and girls appear, parting to go in either direction down the sidewalk in front of the school. All are in long skirts and wear big hats; most wear blouses and jackets or coats. Some are adults; most seem older than the boys who've left just ahead of them. The last person to leave is a gentleman.

Four Navy recruits fresh from boot camp graduation in San Diego spend a weekend pass together out on the town in Los Angeles before shipping out for further training.

George Carlin hits the boards with the former Hippie-Dippie Weatherman's take on Brooklynese pronunciations of the names of sexually transmitted disease ("hoipes"), plus a prayer for the separation of church and state, feuds between breakfast foods, and the absurdity of wearing jungle camouflage in a desert.

A small, shabby bar in the deep south of Italy. A group of men play Padrone e sotto, an archaic drinking game. The film looks into a closed society of residents of a structurally weak region and becomes a sociogram that is exploring universal power mechanisms.

Over the course of her stay at the remote residence, Ana becomes more and more familiar with Holden’s idiosyncratic methods that require the participating artists to abandon their own identities and live emotionally and psychologically as their characters. Captivated by her artistic investigation, Ana immerses herself wholly into the method and starts living as Violeta, until her fiction loses control.

Set 1: Feel Like a Stranger (Grateful Dead cover) Alabama Getaway(Grateful Dead cover) Ramble On Rose(Grateful Dead cover) Dear Mr. Fantasy(Traffic cover) (>) Hey Jude(The Beatles cover) (>) Dark Star(Grateful Dead cover) (verse 1) (>) Cumberland Blues(Grateful Dead cover) Casey Jones(Grateful Dead cover) Set 2: Here Comes Sunshine(Grateful Dead cover) Scarlet Begonias(Grateful Dead cover) Viola Lee Blues(Cannon’s Jug Stompers cover) (>) Spanish Jam(Grateful Dead cover) (> 'Dark Star' verse 2 >) Fire on the Mountain(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) I Need a Miracle(Grateful Dead cover) (>) Death Don't Have No Mercy (Reverend Gary Davis cover) U.S. Blues(Grateful Dead cover) Encore: Ripple (Grateful Dead cover)

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.