The long sequestration of a young girl becoming a woman told by her captor which is replaced by the face and voice of a wife.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

A reclusive conspiracy theorist enlists people from his small town to help him make a low-budget movie about his experience encountering aliens while working as a geologist for the US government.

Dagwood inadvertently gets cornered in to resigning. When his wife Blondie tries to ask Dagwoods boss Mr. Dithers for his job back, he ends up hiring her instead. This doesn't sit too well with Dagwood. Blondie's sister comes to visit, and Dagwood is put in a compromising situation with another woman.

The story is set in a Maharashtrian village where the rich act in a barbaric manner towards the poor.

An adaptation of Samuel Beckett's absurdist drama. An ordinary woman lives her humdrum life half-buried in a pile of dirt; her husband is partially visible behind her. She goes through her daily routines, ever hopeful that this is going to be a happy day.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

The stooges are traveling salesmen stranded in Valeska, a tropical country prone to earthquakes. Having no luck selling fur coats to the natives they are arrested when they receive a telegram instructing them to "get rid of present wardrobe" and an official thinks they are planning to assassinate president Ward Robey. With the help of Rita, a beautiful revolutionary, the boys escape a firing squad, and are sent on a mission to deliver important plans to the revolutionary leader. When they deliver a rolled up calendar by mistake, they are once again heading for a firing squad but are spared when Rita arrives with the real plans.

45 years ago, a man was subjected to the experiments of the secret organization Shocker and became a cyborg. Since that day, the man's sole mission has been protecting humanity and justice from the threat of Shocker. His name is Takeshi Hongo, the first Kamen Rider. After a long battle overseas, Hongo hears a certain girl is in danger and immediately returns to Japan. He then meets Takeru Tenkuji, Kamen Rider Ghost, who had been investigating the girl's whereabouts.

It's 1963 in rural Massachusetts, and Nora James has the usual worries of an eleven year-old girl:lipstick, first crushes, staying out of trouble at school...not easy when your teacher is the elderly Sister Concilia. And even harder when your parents are struggling to heal from an almost unbearable loss. Then tragedy strikes another Massachusetts family, the Kennedys, and shatters the fragile bonds holding the James family together, Nora, sent to live with her brittle Aunt Rose, soon learns who she is, what she wants, and what she must do to achieve it. She makes a decision that is both cruel and courageous. Nora's choice unlocks the way to what amounts to the rescue of her family. (Maureen Foley, writer/director of the film)

Joong-Rae and Chang-Wook come to the deep forest to bury a body. When they almost finished digging a pit, they find out the body vanished. Myung-Sook and Kyung-Soo are having an affair. Suddenly Myung-Sook sees something outside the car and asks Kyung-Soo to find out but he never returns. In the meantime, 3 high school students sniff on gas and glue. The boys become dazed and try to rape the girl but the girl escapes. These 8 people run after another in the forest until they come across a mysterious killer and it all ends in a blood bath.

With an all-female cast, featuring Suzie Bright as John Lennon, Cecilia Dougherty's Grapefruit plays with the romanticized history of the iconic Fab Four, gently mocking John and Yoko’s banal squabbles and obsessive rituals of self-display. Based obliquely on Yoko Ono’s book, the piece works on many levels to reposition this mythic tale of the Beatles by casting '80s women in mod drag—effectively mapping the lesbian sub-culture onto heterosexual mass culture. Discounting the importance of reproducing facts and historical accuracy, Dougherty gives an incisive reading of the creation of pop culture icons: it doesn’t matter who plays John Lennon because ultimately John Lennon is not a person anymore. As a star, he is a projection of our society’s collective needs and desires.

The return of Cik Kiah and her crew.

Over the course of two years, filmmaker Jamie Roberts meets those spreading extremist Islamic fundamentalism in Britain, including a bouncy castle salesman who is now one of the world's most wanted men.

Orphan, Oskar lives with Elvis and Fanny Egger, his guardians. Oskar is waiting for one thing, the majority, to finally be able to go to Zimbabwe and start a new life. While Oskar strives to raise money to get there, Elvis takes Oskar's success and makes it cost him to graduate. The balance of power is becoming more and more tense, swinging into a violence that will push Oskar to definitively abandon childhood, and Elvis, to fall the mask of his ambition and his madness.