Two German soldiers has taken a Norwegian soldier as prisoner, during one of the cold Scandianvian winter nights during WW2. They are thankful that they find a lonely house out in the wilderness, but the houses aren't that cozy after all.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

Dizzler in MASKHERAID trailer.

After the experience in the War of Independence, Luka Gavez returns to his old job, reselling works of art and antiques. He is very successful in these actions, collaborating with a retired actress. However, when given the opportunity for a “big hit”, Luka does not resist the temptation.

Shot-on-video serial killer action / horror.

A group of students pay their way through school by forming a pop band called Toomorrow. Sonic vibrations from a special instrument called a ‘tonaliser’ cause an extraterrestrial to abduct the group, and have them entertain the Alphoid population.

One of Paik’s most overtly political and poignant statements, Guadalcanal Requiem is a performance/documentary collage that confronts history, time, cultural memory and mythology on the site of one of World War II’s most devastating battles.

A guy is trying to discover his true identity after being found unconscious in a remote island.

101 Seconds follows two families as they join the gun control movement after members of their families are killed in a mall.

The East Side of Los Angeles, known for its drugs, violence and corruption is about to go to war. This Time, however, it's between two childhood friends who are forced to face a secret so deep that it has kept them apart for 15 years. Luis Ruiz, a former gang leader, is on the verge of getting out but his younger brother, Carlos, will not allow it. An innocent kid with a chip on his shoulder, Carlos dishonors the drug lord Pablo Mendecello, forcing a stream of events that lead to the ultimate face off. To make matters worse Luis falls in love with Tess McKay, an LAPD cop whose sole mission is to end the gang war. Luis must choose between two worlds: one where his family lives, or the other where his future lies.

The Baixada Fluminense already had numerous street cinemas, where members of the Rio de Janeiro had access to a good movie without worrying about the rush of the shopping malls, today with the end of the 35mm film, the street cinemas of Baixada became history. Thinking about the interaction of street cinemas, the documentary aims to show its importance to the population and the population coming from this peripheral area, in order to perpetuate the memory of the glory days of the theaters of the street, thus recovering a historical record of this I have a different look at the last survivor: the movie network CINE SANTA ROSA.

An elderly woman is sitting in her kitchen, cooking and talking to someone, explaining the recent happenings in the apartment complex she lives in, regarding a neighbor. She recalls stories told by others from the building and talks to the person on the phone about how she has barely seen him and about all the noise he causes and unexplainable behavior she's noticed. The whole situation is beginning to scare her.

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.