Accused murderer Frankie Steele walks free, thanks to the efforts of San Francisco defense lawyer Joe Ricco. Then a pair of cop killings strikes the city. All signs point to the newly released Steele as the perpetrator. Has Ricco sprung a killer? Dean Martin keeps his affable ease but abandons his hipster Matt Helm-series swagger to portray Ricco in his final leading-role film, a whodunit mystery set in the city that also was the gritty center of action for the era’s Bullitt and Dirty Harry. Convinced that Steele isn’t behind the murders, Ricco launches an inquiry and runs up against a police lieutenant assigned to birddog him, evidence planted by a racist cop and several assassination attempts on Ricco himself. As the mystery deepens, so does the danger. And behind it all is someone the attorney never suspected. The pre-Laverne & Shirley Cindy Williams plays Ricco’s office assistant.

Pa, a moonshining chicken farmer, is worried that his dim-witted son Junior is becoming way more attracted to their cow Sassy Sue than he should be, so he sets out to gather up all the nubile young farmgirls in the area and get them to show Junior what he's missing.

In 1980s China, the country is beginning to reform and workers who had been moved with their families to the provinces in the 60s now long to return to Shanghai. For one displaced family a conflict arises when their 19-year-old daughter finds love with a local boy, threatening their chance of a return to the city.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.

When three women get cheated on by their husbands they decide to get even and open up The Mistress Club, where seduction is the name of the game and forbidden sex is the natural outcome.

Renate Hubricht finds her uncle, the money broker Theodor Hubricht, murdered in his villa. That very night, the banker Lorik is arrested, who was last seen in Hubricht’s house. Renate, who doesn’t wish to live alone in the eerie estate lodges with the lawyer Dr. Birk. She doesn’t tell him, that her lover, the musician Robert Wendland, had an argument with her uncle on the evening of the murder. When Lorik is sentenced to 10 years prison, Renate is thrown into a quandary. She believes she’s protecting the real culprit with her silence.

Berlin, 1993. Photographer and artist Jürgen Baldiga battles HIV. In the 1990s, the AIDS epidemic is reaching a climax that no one had expected. The infected bodies and their stories disappear from the public eye, as though they'd never existed. Through the death of his friends and subsequently his own, Baldiga becomes a chronicler of his time: "I am taking a picture. I am photographing the world. I exist."

Janma Bhoomi is a compelling Nepali film that celebrates culture, family, and the triumph of good over greed. Arjun and Krishna, two brothers unaware of their bond, face Kuber Agarwal, a wealthy businessman set on destroying Naya Basti village to build a factory, ignoring the villagers’ heritage. Agarwal’s daughter Sirjana falls in love with Arjun and marries him against her father’s wishes.Chameli secretly loves Arjun but remains silent, while Krishna falls for Gita. With the villagers’ support, Arjun and Krishna resist Agarwal’s plans. The story takes a tragic turn as Agarwal and Chameli die, but the brothers succeed in protecting the village. Sirjana’s decision to leave her father highlights that love and integrity triumph over greed. Directed and written by Mohan Nirula and produced by Chabi Ojha, Janma Bhoomi showcases Nepal’s cultural roots and the power of unity.

Three friends, Duk-bae, Chun-sik, and Kil-nam, work each at a suburban Chinese restaurant, a barbershop, and a motel. The three friends are clueless about their future. They just share the drinks and love stories. Kil-nam is in love with Jin-ok working at a hair salon and Chun-sik is after Yu who also works at the barbershop. Naive Duk-bae's mind is torn between Chun-sun who works at a factory and an uptown girl Myung-hi.

Marco, close to turning eighteen, is a boy like many others: he has a girlfriend, lots of friends and is passionate about electronic music, especially DJ Claudio Coccoluto. One day he is the victim of a moped accident and ends up in an irreversible coma: family and friends gather around him in the hospital room, full of pain but also of hope.

A pair of thieves operate in the American South between 1911 and 1915, stealing from rich, white capitalists, and giving to Mexicans, Native Americans and poor whites.

The story of Japan's victory in the battle of Tsushima Strait.