A raggedly dressed boy wearing a torn pair of pair of sneakers sits on a bench in a park feeling uncomfortable with his tennis shoes. He wanders in the park and when he returns, there is a boy with a brand new pair of sneakers sat on the bench. The ragged boy goes to another place with envy and wishes that he were the other boy. His wish is somehow granted and he switches body with the other boy and learns his health condition.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

A portrait of teen escort, 'Coco'.

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

A pair of thieves operate in the American South between 1911 and 1915, stealing from rich, white capitalists, and giving to Mexicans, Native Americans and poor whites.

Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.

A government agent cursed by lycanthropy goes on a dystopian fueled adventure to find his son, who has parted ways with his father.

Directed by Bingliu Hu.

Explore the rich history of the Walt Disney Archives as legendary producer and host Don Hahn tours rarely seen areas of the department’s vast collections along with beloved Disney locations — including theme parks and the studio lot — through an engaging, historical lens.

A group of animal friends inhabits the last forest in the barren land of Bluffoonia, but now Clandestino, Bluffoonia's tyrant obsessed with machinery and industry, plans to exploit their home as well.

Hoot Kloot and Fester arrives at San Francisco to bring Judge Sayabe (the hanging judge) back to Cactus Goat. Unfortunately for the judge, Hoot Kloot goofs up along the way and the judge gets blown up, run over by a train, and falls down the cliff. They eventually return to the Cactus Goat, with the judge making a certain sheriff his enemy. Last "Hoot Kloot" cartoon.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

Krotoa, a feisty, bright, 11-year-old girl is removed from her close-knit Khoi tribe to serve Jan van Riebeeck, her uncle’s trading partner and the first Governor of the Cape Colony. She is brought into the first Fort established by the Dutch East India Company in 1652. There she grows into a visionary young woman who assimilates the Dutch language and culture so well that she rises to become an influential translator but ends up being rejected by her own people as she tries to bridge the gap between the two cultures about to collide.

Billy joins an outlaw band led by woman to clear his name of their crimes, which are being blamed on him.

The Goss family live on a farm they call the dust bowl where the wind blows during the day and the coyotes howl at night. When the train is robbed, everyone thinks that Cotton and Violet were the ones that did the job, but no one has any proof. US Marshal Lloyd Richland comes into town in disguise to find the truth and he finds that the sheriff is corrupt and that the Goss family is gosh darn nice. They take in Richland and a stranded woman named Mary without any questions. Cotton believes that Sheriff Tatum shot their pa in the back, and the sheriff is now trying to plug the boys. Richland is looking for the train robbers, and at the same time is keeping an eye on Tatum and the lovely young Mary.

The essay film about the German philosopher Byung-Chul Han encircles the phenomenon of fatigue in our capitalistic societies and its associated symptoms such as depression and burnout. It raises the question of how we want to live today, and what we can oppose to the pressure of an achievement-oriented digital society.

Memories can be blocked, but they can also be invented. Psychology professor Eiko works with people who were traumatized by the 2011 earthquake and tsunami disaster. But the topic affects her more personally than she wants to admit. Narrative structures begin to intertwine, reality becomes ambiguous. Like a surgeon, SHINOZAKI dissects the human mind in this complex yet moving film.