Iron Maiden: Rock In Rio
Rock In Rio Festival 2001 - Iron Maiden headlines one of the biggest shows on Earth to a massive sell-out 250,000 crowd and a global TV audience of millions. The explosive two hour set, shot using 18 cameras and edited by Steve Harris, is Maiden at its best, performing their biggest show ever on the final date of their Brave New World Tour.
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01. The Ides Of March 02. Murders In The Rue Morgue 03. Another Life 04. Prowler 05. The Trooper 06. Remember Tomorrow 07. Where Eagles Dare 08. Run To THe Hills 09. Revelations 10. Wrathchild 11. Die With You Boots On 12. Phantom Of The Opera 13. The Number Of The Beast 14. Hallowed Be Thy Name 15. Iron Maiden 16. Running Free 17. Drifter 18. Sanctuary
Bashu, the Little Stranger
During the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Iron Maiden: Visions of the Beast
Visions of the Beast was released by Iron Maiden on June 2, 2003 and contains every promotional video through 2001's Rock in Rio. It is basically an updated version of The First Ten Years: The Videos and From There to Eternity. It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras.
Ilsa, the Tigress of Siberia
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Judas Priest: Live in London
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Circle of Iron
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Metallica: Cunning Stunts
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Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.
Heaven in Hell
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Handling the Undead
On a hot summer day in Oslo, the dead mysteriously awaken, and three families are thrown into chaos when their deceased loved ones come back to them. Who are they, and what do they want?
A
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
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Dead Sea
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EXIT
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Self Reliance
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