Chellapa wants his son Murali to become a police officer like him but Murali's dream is a 'safe' bank job. However, a slew of thefts in ATMs affects them personally and changes the course of Murali's life.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

In a small village in Pakistan, village elders demand that 15-year-old Mina must be handed over as payment for the crime her brother committed. The ruthless man she's forced to marry keeps her locked inside a small room, her only escape being her imagination and staring out a small window. Meanwhile, the two families cross paths in a series of twists that leaves a trail of pain, heartbreak, and blood.

Tommy dos Santos wasn't born a psychopath, nor was he made into a sociopath. He was something entirely new, and he was walking his own path - a path that will run red with the blood of the foulest most fiendishly frightening creatures ever conceived by man! No longer do they have the starring role in our nightmares, it is now the clowns who are the prey, running for their lives from a killer who won't stop until every single one of them is dead. As Tommy's body count rises, he finds himself getting closer and closer to what he thought was a ghost, the once great clown king known as "Giggles," and wonders - if laughter can't die, how about Giggles?

In search of a powerful hallucinogenic, five friends embark on a dangerous journey deep into the Amazon. But a bad trip isn't the only threat as they discover when they stumble across the hidden camp of the crazed Dr. Moreau and his murderous animal-human hybrid creations.

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

A snake-oil salesman is chased across the desert by a gang of Mexican bandits. He finds out, however, that he is being protected by the spirits of Davey Crockett, Pecos Bill and Johnny Appleseed.

Lady Florence hides her lover, a Prussian spy, from the French troops who are hunting for him. One of her other suitors, a French officer, discovers the hiding place and threatens to kill the spy.

A host of Playmates explore an exciting new realm of dreamy delights and daring desires.

Waves is a visually breathtaking film about the power of the sea. Capturing the Atlantic Ocean in various moods as it crashes against the Irish coasts, the film is a hymn to the relentless power and endless beauty of this elemental force of nature. With coastal scenes harking back to the majesty of Flaherty’s Man of Aran (1934), Carey offers a unique sea-centred depiction of the islands as his painterly cinematography offers mesmerising images of roiling seas, waves crashing against the Aran rocks, sunsets and a golden full moon. John Taylor, friend and colleague of Carey, had originally worked on Man of Aran and filmed some of the additional photography in Waves.

She seems to be a happy woman with lots of happy young men in fabulous outfits by the seashore.