Jay Zulkarnain is an assault leader for Malaysia's elite and deadly special force known as the UTK (Unit Tindakhas), and he and his squad of operatives are every terrorist's worst nightmare. However, a mysterious terrorist has framed Jay for the murder of one of his squad members, and has also captured his sister Dian, who is an undercover agent. To save her sister, Jay must race against time to unravel the secret and reason as to why this terrorist is trying to destroy him.

The story begins with three Aliens in human form preparing for a ritual to feed the Fog Mother's "siblings". The Fog Mother last came to earth during the Prehistoric Age and is the cause of the extinction of the dinosaurs. Kenji and his kid sister are in the mountains, investigating all the deaths of animals and trees there. The Fog Mother sends the three aliens, "Gorai", "Zuu", and "Agito" to kidnap Kenji's baby sister for the sacrifice.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Part of Matt Mitler and Robert Prichard's Surf Reality Movie of the Month series, this featurette follows marriage-hungry Sarah as she's helped by a magic homeless man to find her true calling. Maybe.

Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.

In this brisk six-shooter anthology, an ensemble of women share entertainingly twisted tales that span disturbing subjects and sick styles through decidedly feminist lenses.

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Maggie Cook has spent her teenage life alone in her room, but with the world set to end in 24 hours, her classmate Hazel Norcross finally brings her out of her shell.

A complicated friendship between a young Somali and Nigerian man unfolds against the chaos of gentrification and displacement in the small immigrant community in Cardiff known as Tiger Bay.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

Polidor drags down the street a bulky sofa on which every couple sitting ends up kissing.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

A documentary about an Iranian boy's first day of school. The beginning of hardships and understanding the realities of life, and perhaps unwanted pain and suffering.

The story of one of the most radical performances in art history told by German artist Ulay, who in 1976 decided to steal Hitler's favorite painting from Berlin's national museum and hang it in the home of a Turkish immigrant family. "This particular painting you could say was a German identity icon." In 1976 Ulay decided to steal the painting 'Der arme Poet' (The Poor Poet) (1839) by Carl Spitzweg, which was said to be Hitler's favorite painting. By stealing the painting from the Neue Nationalgalerie (New National Gallery) in Berlin, Ulay broke away from what he had done previously, aiming "to give a strong signal about what I was about as an artist at the time."

On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.

During the final days of WWII, chaos ruled. The German submarine U-461 went down along with its entire crew just off the coast of Denmark. U-461 however, was no ordinary submarine. 50 years after the war ended, two brothers go scuba diving for fun and discover that their every move is being watched and that some things should just be left alone.

The story of a young couple, from beginning to end, from the euphoria of falling in love until the final days blurred and dark, is realized with an analytical eye and investigative zeal. How and why two people fall in love? What now? How quickly will they get into a relationship? When a relationship ends, and when should it end? Peter and Sofia, with its simple story of love, they become reflections of all those who, at twenty-five years have been in love.