Not many people know that there is in the center of Hong Kong, a city of 50,000 inhabitants that escape authority, a city which holds no law and no order, the ‘walled city’. Never before has a television crew been allowed to enter this labyrinth. Christa Wesemann, an Austrian documentary filmmaker, has achieved this for the first time. The recordings from the ‘walled city’ are breathtaking pictures, as it has never seen the world. The history and daily flow in Walled City are ruled by the ‘triad’, a Chinese crime syndicate.

Out of work swing band maneuvers a gig working for a political campaign, by drawing in and entertaining prospective voters at rallies. The candidate is really a stooge for a corrupt political machine, which discovers the band's handsome and appealing singer would make a better stooge. Meanwhile, romance blossoms between the band's singers. When election day approaches, the band's singer wants out of the campaign, but the machine threatens to smear him and his pals in the band if he quits.

Semiramis, a powerful and beautiful Assyrian queen, oversees the construction of the luxurious city of Babylon. She falls in love with Kir, a fallen prince turned into a slave who corresponds to her love. But a palace conspiracy will make the two lovers separate and confront each other.

A young fan of Red Star Belgrade FC is disappointed with team's performances in the last 20 years, ever since his beloved club won the European Champions Cup. He comes up with idea to bring the former Red Star player Nemanja Vidic from Manchester United F.C., by collecting money for this hardly feasible task.

TLMEA tells the story of two undercover cops, caught in a dream during a drug raid in which they descend into the 9th level of hell - the Ptolomea.

A study of ennui and female repression within a world rarely seen onscreen - Italy's hermetic nobility.

A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts.

A scientist battles an otherworldly Lunamancer for the soul of his sister, armed only with his faith and a crowbar.

Philipp is a small boy, who other guys pick on, because he's not as large as them. But when a musician gives him a magical flute, he can make objects bigger or smaller.

After CLEVELAND VS. WALLSTREET, the director dived into the universe of the Opéra national de Paris to film his documentary about this major centre for musical creation. During this shoot, he met Philippe Jordan, musical director of the Opéra national de Paris. “Filming Philippe Jordan is like a waking dream. He occupies the frame, he bursts from the frame, he is simultaneously totally present in the music, and elsewhere, connected to some invisible forces,” says the filmmaker about the conductor, whom he was able to film close up during rehearsals for Gustav Mahler’s Ninth Symphony. This invisible aspect is what the camera explores in this short film: by focusing on this piece in particular, entirely given over to listening and immerged in the very heart of creation, Jean-Stéphane Bron reveals a fragment of work that we imagine to be titanic, and allows us to see and to hear, in a whole new way, a work whose interpretation is profoundly marked by silence.

Four friends visit an outdoor festival. In the queue mass panic arises. Their relationships inform the way the friends react during the chaos. One of them is killed, the remaining friends are seen as a hero, a victim and a villain. But aren't the victims guilty as well. And isn't the bad-guy also a victim?