A film mocking the consumerist attitude towards life.

Aavas is a nepali music video about love

Six crazy stories occur in the new year's eve.

Mo, an eccentric taxidermist, tries to reconnect with his past.

This is a tragic love story between the Agha's daughter İpek and the poor farmhand Ferdi. The two lovers, who grew up in the same village, separated when İpek moved to the city, but their love continued. Despite the kinship between Abbas Agha and Ferdi's father, the Agha's change of heart when he inherits money puts an end to the friendship. Despite his father's warnings about Ipek, Ferdi doesn't listen and moves to the city, thinking that Abbas Agha will help him. As Agha despises Ferdi, he endures every insult and hardship for his love. Realizing that he cannot be with İpek while he's poor, there is only one way left for the young man to realize his dreams: to go to Istanbul.

Together, a weary cop and an all business FBI agent, team up to catch the latest homicidal manic: The Rain Killer. Just when they think that all the clues have been washed away, they find the one last clue; the one that's been in plain sight.

While battling the stress of her everyday life, a harried woman gets a mental visit from an unwelcome yet all-too-familiar guest.

Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.

An electrician is trapped in a looping room and goes mad.

Every 4 years of group of hometown friends get together, catch-up, have a few laughs and take part in a talent show that stems back hundreds of years.

A young man falls in love with his mother's kitchen maid, Mabel. But his mother objects strongly, and arranges for him to meet another young woman whom she considers more suitable. Mabel confronts the young woman, and is dismissed from her position. Later, when the young man learns about the new career that Mabel has found, he begins to act in an agitated and unpredictable manner.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

A father escapes his stressful life with his many tadpoles to his favourite hideout by the river. His peace and quiet is suddenly disturbed by his neighbour's attempt to catch the fish of his dreams.

When a low level mobster is nearly rubbed out by the boss, he decides to take the bonus he was promised by force, so he kidnaps the boss and demands a hefty ransom.

A mini documentary about the life of rapper Tedua.