Adapted from Youssef Idris’s story

This parody of 2013's Blue is the Warmest Colour follows a woman on the quest for love.

A rich merchant, Antonio is depressed for no good reason, until his good friend Bassanio comes to tell him how he's in love with Portia. Portia's father has died and left a very strange will: only the man that picks the correct casket out of three (silver, gold, and lead) can marry her. Bassanio, unfortunately, is strapped for cash with which to go wooing, and Antonio wants to help, so Antonio borrows the money from Shylock, the money-lender. But Shylock has been nursing a grudge against Antonio's insults, and makes unusual terms to the loan. And when Antonio's business fails, those terms threaten his life, and it's up to Bassanio and Portia to save him.

Paradise Inn is more than a watering hole, a gambling den cum-brothel frequented by the menfolk. It is a notorious landmark. Ester Paraiso, a retired prostitute, runs the place with help from her own daughter, Daria, whom she is preparing for the job, and from influential politicos. Her daughter, however, decides to run away but is later spurned by her suitor and his offer of a respectable life. Even the timely arrival of a two-beat magician, Rey, who hastily proposes marriage, fails to prevent the escalating tension as the mother-daughter conflict takes its worst turn culminating in the characters' fiery destruction.

Captain Grogg falls into the sea but gets saved in the last second.

Finally, the new studio album from RIVERSIDE, Poland's pioneering and leading progressive rock band! As a follow-up to the 2018 album 'Wasteland' which peaked at #13 in Germany, #28 in the Netherlands, #23 in Switzerland, #39 in Austria, #83 in the UK, #30 in Finland, #30 in France Having entered the charts at number 97, in the Czech Republic at number 59 and in Poland at number 1, the new album 'ID.Entity' expands on RIVERSIDE's signature sound, but in a reworked and more dynamic form. Recorded and mixed in two studios (The Boogie Town Studio in Otwock with Paweł Marciniak and Serakos Studio in Warsaw with Magda and Robert Srzedniccy), the album was mastered by Robert Szydło and produced by Mariusz Duda of RIVERSIDE himself. 'ID. Entity' marks a remarkable start to the third decade in RIVERSIDE's career.

A passionate encounter of two men by night takes an unexpected turn as they come across a psychic who can read their future.

RiffTrax gives the classic riff treatment of the cult film 'Sharknado', a film about sharks - in a tornado.

Photographer Billy and his girlfriend Sarah have just moved into a new apartment. They are no longer in love, but they content themselves with sex, often involving role play. Billy becomes enamored with their new neighbor Dana, who spends her days at home blogging and supplying drugs to a local dealer. The thing is, Dana’s more attracted to Sarah. Billy lays out a deal: Dana can spend the night with Sarah, and in exchange, he gets to have sex with her. Billy manipulates the two ladies to get what he wants, but he fails to realize the risk of the arrangement.

"Afandi" is adapted from Xinjiang Uyghur folklore. The protagonist Avanti uses his ingenuity and wisdom to act for the working people and fight injustices, reflecting the strong love and hatred of the people. China's submission for the Academy Award for Best Foreign Language Film in 1979

To conquer the beautiful vedette Rosita, journalist Tin Tan is subject to her whims. Fired along with his friend Narciso from the newspaper they worked, Tin Tan trying to sell a movie plot. A woman looking to buy it and Tin Tan will visit her in a gloomy mansion where a mess is unleashed.

An extraordinary found footage documentary inspired by Stanisław Lem’s “Solaris”. A trance-like, personal story about loss, mourning & memory. The film consists of excerpts from 70 films produced by the Educational Film Studio in Lodz in the 1960s and the first radio adaptations of "Solaris". Lem begins writing “Solaris” the same year that Resnais' “Hiroshima Mon Amour” is released – says Kuba Mikurda – Like Resnais' film, I find “Solaris” a fascinating study of post-traumatic memory – repressed memories that pave their way into consciousness and demand to be expressed.

Bhoominathan (Ramesh Pisharody) keeps big aspirations in his life. His dreams are all revolving around a property in the city, which he inherited. Bhoominathan finds that making a tourist resort in the land, is the best possible business which can bring him big returns. He starts to realise his plans to build a resort by digging down for making a good basement. And he finds to his astonishment, the archaic remnants of a ship. Bhoomi takes no time to inform the archaeological department which lands him to further troubles and his project of resort building gets blocked. Bhoomi has got a friend in Radhika (Sarayu), who also works with the same department. Now with the help of some fresh ideas from her, he plans to venture into a new arena of business. The movie goes on to tell in a lighter manner, how some unexpected happenings can change the fate of a youth.

François, a young student at a provincial college, likes Colette, the daughter of the headmaster. Turlot his colleague, who commits suicide, left a diary where he writes of his relationship with Colette.

On her 60th birthday, the proud owner of a Los Angeles strip club, finds herself in hot water over a twenty-five year old debt to the mob, leading her on a downward spiral of violence and revenge through the underbelly of Los Angeles.