According to an ancient Indian tale a giant monster embryo residing in a crystal vase is predetermined to fertilize a blue-eyed woman. She will give birth to something evil to unleash horror and destruction upon human kind. Ugly septuplet brothers reproduced within the framework of mysterious genetic experiments terrorize a young innocent girl who seems to be chosen for the sinister predestination.

In a futuristic world where people wear masks, Lua tries to break out of the norm and show her true face.

Longing to discover his father, a sad young boy dreams of becoming a fish and swimming to the great white ship he sees traversing Lake Issyk. Lost in his dreams, and buoyed by the pagan tales of his Central Asian grandfather, he feels a close communion with nature: so much so that when a hunter kills a stag, he too takes a final, liberating leap.

Though Godard got a little money from his family, he admitted that the money that went into Rivette’s film came from stealing and selling books from his grandfather Monod’s “Valérianum”. The film featured four actors: two women and two men, one of them Godard. According to Rivette, “It ran 40 minutes and nothing happens. It’s just four people sitting around a table, looking at each other. After ten minutes, people started to leave, and at the end, the only ones who stayed were Jean-Luc and a girl.” (Richard Brody)

The Dominican group Aventura, won with the romance of their songs, the rhythm of the bachata, the thousands of spectators who enjoyed their show on the second night of the Festival of Vina del Mar and wiped out all the contest prizes given Aventura , at the head of its charismatic leader, Romeo Santos, opened with a Poupurri which included hits like for a second, contempt and its venom, which were echoed by some 15,000 spectators that filled the amphitheater of the Quinta Vergara, which is held every year the Festival of Vina del Mar.

Joshua Kennedy IS Sherlock Holmes in this tribute to Sir Arthur Conan Doyle's legendary sleuth! The Return of Sherlock Holmes adapts "The Empty House" and "The Six Napoleons," two of Doyle's most famous stories.

The longstanding rivalry between a music club and a sports club is compounded by their leaders' mutual interest in a girl.

A burlesque impresario is hired to help the failing fortunes of an old opera company.

When the movie opens Devan(Arun Pandiyan) murdering photographer Jeeva(Thalaivasal Vijay) in cold blood in his house. Jeeva strategically positions a video camera to capture the impending murder but Devan never shows his face to it. And when Jeeva shouts out the name of his killer before dying, the audio is lost at that point. While the police search for the killer, Devan zeroes in on Chetta (Saikumar) as his next target. He follows Chetta to Chandigarh but is apprehended by CBI officer Ratnavel(Vijayakanth). But once Ratnavel realises Chetta's true nature, he begins to help Devan, even hiring successful lawyer Chakravarthy(Karthik) to fight for him. The flashback shows that Devan's sister (Kausalya) was killed by Chetta, Devan wants to avenge the death of his sister. In the climax, villain is killed.

Recorded live at Kijów-Centrum, Kraków, 7.11.2015

Bartolomeo Pagano as Maciste in Maciste in the Lions' Den. A Italian silent from 1926.

A young videographer uses his camera to capture intimate moment of lovers visiting a beautiful and peaceful lake. He uses the captured videos for his own benefit of earning cash. It's just a matter of time until his dark practice will be revealed and dealt with accordingly.

A free film adaptation of the director's memoirs. In form, this is the "stream of consciousness" that attracted Sergei Eisenstein after getting acquainted with the experiments of James Joyce. The outer outline of the film is a long foreign trip of the director, which began in 1929, during which he recalls his past life and considers creative ideas. The film is constructed as a free alternation of reality, dreams, and fantasies. The material for it is fragments from the films of Sergei Eisenstein and his fellow contemporaries, documentary footage depicting the director and his time. The wide coverage of the faces and events reflected in the film shows the special role of Sergei Eisenstein in the culture of the twentieth century…

For the sake of her son, Paolo, Stella is re-married to another man, Anton, in the hopes of a having a whole and peaceful family life. However, after the wedding, she experiences major haunting that endangers her life and the people around her. All the clues are pointing to her dead husband. Feeling guilty of her ex-husband’s death, Stella tries to save her family from the ghost’s wrath. Along the way, secrets start to unravel and Stella is now unsure of who is haunting her and why she is being haunted.