Kalyanji Anandji
Kalyana Krishnan (Mukesh) is part of an orthodox Brahmin family who still follow the caste system. He ends up marrying Nirmala (Annie), a Christian girl. To get the family's approval for the marriage, Nirmala masquerades as a Brahmin orphan. The film continues with the tricks & travails that they have to face owing to this.
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Friends Avarachan and Madhavan Thambi are unaware that their babies were exchanged at birth. Later, when the truth is revealed, their long-standing relationship seems to fall apart.
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The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
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Dramatized documentary about the days of Norwegian pirates starting around the year 1807 when Norway went into extreme poverty.
Jurassic Fight Club
Jurassic Fight Club, a paleontology-based miniseries that ran for 12 episodes, depicts how prehistoric beasts hunted their prey, dissecting these battles and uncovering a predatory world far more calculated and complex than originally thought. It was hosted by George Blasing, a self-taught paleontologist.
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The Rolling Stones: 25x5 - The Continuing Adventures of The Rolling Stones
The Rolling Stones emerged in the summer of 1963 as the so-called "bad boys" antidote to the Beatles, a characterization that became one of the foundations of modern rock 'n' roll. In the 25 years that followed, the Stones have succeeded in outraging, mystifying, confusing yet always inspiring their fans. 25 X 5: The Continuing Adventures of The Rolling Stones is the first time that the Stones have gone on camera to tell their own story. Over two hours of devastatingly frank narratives by Mick Jagger, Keith Richards, Charlie Watts, Bill Wyman, and Ron Wood are underscored by rare interview segments with Brian Jones and Mick Taylor, and rare and never-before-seen archival film, video, and newsreel footage.
South of Heaven
When his boyfriend shows up unannounced, Elias' religious family learns their son's darkest secret.
Sugapa
Young lovers chase their big city dreams but get tested by lust, addiction, and the hunger for money. Will their love survive, or will reaching for their dreams tear them apart?
Girls Fight Club
The best women's wrestling competition of all time...and if you think it's fake you're in for a big surprise See LEGENDARY Mixed Martial Arts fighters coach their teams to victory in the cage! aka Chuck Lidell's Girl's Fight Club
A Single Word
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And in Russia the Damned Days Strike Again
Viktor Burdin demands complete clarity from the KGB: when and under what circumstances his father, now rehabilitated, died.
Full Metal Panic! Movie 2: One Night Stand
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Garik Oganisyan: Life is the Best Playwright...
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Shangku Shelter
Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.
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Deborah Stratman brings past perspectives into the contemporary moment in a montage of unfinished film footage from artist Barbara Hammer with evocative sound, texts, and teachings from artist Maya Deren. Vever poetically draws connects between three generations of women filmmakers who separately, and now together, have taken on unknown challenges, and opened themselves up to reinterpretation in their filmmaking practices.
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Virus, año cero
The small producers from Entre Ríos from the German villages of the Volga inhabit a territory marked by transformations in the ways of producing. The German past and the traditions that come from living in the countryside are altered in a daily life that moves to the rhythm of changes in the production model.