Pekkle and his friends find a treasure map that will lead them to a stone that will grant one wish, and they go on a treasure hunt.

The story of a girl in a small North Indian town who is an obsessive fan of top Hindi movie star Madhuri Dixit, and dreams of moving to Mumbai to become a film heroine herself.

A POW in World War II is put to work in a Munich zoo, looking after an Asian elephant. The zoo is bombed by the Americans and the director of the zoo decides it is not safe for his Asian elephant Lucy to remain there. So he sends Brooks to safety with Lucy. They escape and go on the run in order to get to Switzerland.

Two best friends make the best of going to high school by dreaming up fashion magazine photo shoots, and bribing their siblings to model for them.  René indulges all his fantasies and loves designing clothes. Frankie lives for her camera and punk rock. They both fall for Sasha, the shy soccer player with a soft spot for poems by Pushkin. When the three of them are caught between competing invitations to prom, their high-fashion drama could destroy their friendships along with the entire prom.

A portrait of teen escort, 'Coco'.

Kallan D'Souza and his partner make a living committing petty thefts and are highly successful at it. However, a stubborn police officer threatens their operation.

Documentary directed by Tom Kleespie inspired from Korean War veterans who recall memories both painful and patriotic, putting a human face on an often forgotten conflict. Stories include wartime recollections, such as one soldier's first moments seeing a MiG fighter up close, and veterans' often-tragic experiences returning home, where Americans largely neglected to welcome them back.

The Paragraph Man is the faltering, stumbling, comic, sad and tragic story of an immigrant youngsters journey towards sociopolitical awareness, a very first attempt to understand his true situation as an immigrant in post-colonial Sweden.

A horror depicting the serial murder that occurred in a villa closed in the snow.

Ah Sun of the drama society leads a dramatic private life off-stage as well as on. His ex-wife Kong loses her last cent in business; and after going bankrupt is left without a place to stay. As she is entitled to own half of Ah Sun's house, she moves back. Ching, Sun's girlfriend, is determined to show who's the mistress. Her exaggerated actions embarrass Kong, and Kong soon has a chance to hit back. Ah Sun's rich aunt returns for a visit and has not been told about their divorce...

Two murders initially appear to be motivated by personal interest. However, at a closer look, they appear to be something completely different.

Dr. Kristine Lipton finds that something strange is happening in the hospital she works for when a friend is strangled by an elderly patient, who runs away but has an accident and dies. Kristine tries to find out more about this man, but discovers that all the personnel (including the hospital's director), are hiding something.

The star-studded premiere party for "Grease," featuring numerous unrelated musical performances.

Vasantasena, a courtesan who dances at the King Palaka's court hides in Charudatta's house while running away from the amorous attentions of the king's brother-in-law. She falls in love with Charudatta, though he is married and penniless.

Four grown wolves and a little one chase a sheep through the night. Little Wolf stops, captivated by the moon. He catches hold of it, and then the moon rises, with Little Wolf hanging on.

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.