Death by 1000 cuts refers to an ancient method of torture in which numerous small cuts were made on a victim's body. None of the cuts were deadly by themselves, but the combination of them would cause them to die a slow, painful death. In psychology, it refers to small issues that are overlooked until they add up to something too big to ignore. Sometimes I question which version of the phrase is worse.

Sundar, a waiter, is in love with Radha but does not have the courage to tell her. When he becomes a successful comedian, he confesses his feelings to her, only to find that she loves someone else.

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

A man is painting a landscape. A woman is holding two cups. What can go wrong? A nightmare in pink.

"Maintenance by any Means" is about two maintenance men vying for the position of maintenance supervisor in an apartment complex. The maintenance men must compete with each other in order to get the job left open by the former Maintenance Supervisor. They need evaluations by the people who live at the apartments for every work order they finish. The problem is the renters themselves. Each one they run into has their own set of interesting problems. The maintenance men soon discover that a positive review may be hard to come by. Fixing broken down items in the apartments is the least of their worries. Finally one of the maintenance men must win the contest, by any means.

In a Mars base, the inhabitants are being infected by a mysterious water creature which takes over its victims. The Doctor is thrust into the middle of this catastrophe, knowing a larger one is waiting around the corner.

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

A promotional short documentary on the making of the film American Beauty, directed by Sam Mendes and written by Alan Ball.

Experts set out to prove that female great white sharks rule the ocean.

After having witnessed her father's brutal murder, three-year-old Alma and her mother fled their war-torn homeland and settled in Iceland. Now, 25 years later, Alma is serving time in a psych ward for murdering her boyfriend, a crime she can't remember. But when she discovers the boyfriend is still alive, Alma decides to escape and kill him after all.

Two sleepwalkers, Martha and Quentin, check into a hotel as returning guests and live parallel lives during their waking hours. Little do they know that in their sleep, they fall for each other time and time again. The film poses the question: When it comes to human connection, are we actually sleepwalking through our waking lives?

A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.

Dom, 36 years old, is a sailor on board of the fishing boat Petit Gael II from the port of Les Sables d'Olonne, a small town in western France. He is used to leave for the open sea for at least three weeks in a row. Despite of his absences, his teenaged children decided to live with him since the divorce of the parents. But when his daughter Mailys gets pregnant, Dom understands that he will have to choose between the sea and his family.

A young man battles against his inner demons on the brink of engaging in self-harm.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

Dammbeck made this film – a reference to the myth of Icarus and a metaphor for failure, hope, and human exploration – at the invitation of the legendary animator Kurt Weiler. It’s the first example of Dammbeck’s experimental, grotesque, surrealistic style of animation. The idea of flying, which Dammbeck uses here for the first time, will reappear continuously in his next films. THE TAILOR OF ULM established Dammbeck’s reputation among East German animation directors.

Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.