A 1973 TV adaptation of the classic spanish zarzuela

Big Chris leads a chorus of characters from various animated children's television shows in a medley of seven songs: 1. "Can You Feel It" 2. "Don't Stop" 3. "Jai Ho!" 4. "Tubthumping" 5. "Never Forget" 6. "Hey Jude" 7. "One Day Like This"

Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.

“Uncanny Stories” is a horror anthology of short stories from famous writers adapted in animation by directors who are mad about genre films. The works of Laura Kasischke, H.P. Lovecraft and Jean Ray alongside the Brothers Grimm, William Tenn and Edgar Allan Poe all haunt the screen in a world of horror, fear and angst. You’ll encounter a young girl who hates her stepmother so much she wants her dead, two young hikers who cross paths with a strange old woman, an explorer trapped by terrifying forces from a distant past, a man driving down a country lane on a rainy night, an endless nightmare, a lighthouse in a storm. Transgressive and poignant stories that tap into your innermost fears.

The boss of the Hung Hing gang, Tian Sang, has died. Ho Nam and Hon Bun find Sangs younger brother, Yang to lead the gang. Meanwhile, Hon Bun receives news that his younger brother, a leader of the Tuen Mun gang has been assasinated. They travel to Hong Kong to settle the matter.

A film directed by the pioneer of cinema in Azerbaijan, Alexandre Michon, it was filmed on August 4, 1898 in Balakhany, Baku and presented at the International Paris Exhibition. The film was shot using a 35mm film on a Lumière cinematograph. Silent movie. (Wikipedia)

Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

An action-packed, brought to us by Ignazio Dolce - the guy who directed several other 'Nam action flicks including "The Last Platoon". It's a plot less little exploitation movie, filmed on a shoestring budget in the Philippines.

Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.

Residents of a suburban community enjoy a night at home with their friends and family, while an ominous threat looms just outside their doors.

This film was created by Sokurov before or during his VGIK student years for the regional TV of Gorki. He does not consider it a part of his filmography. For its creators, it was just a TV program, and the people who worked on it most often were being given no distinction in the credits. This document of the very origins of Sokurov gives us a notion of his "pre-stylistic" period, where the personality of the future great filmmaker reveals itself in spite of means and circumstances.

It’s just another ordinary day in 1930s Los Angeles for private investigator Clyde Umney, until a new client walks into his office. Umney soon learns that his client is the crime-fiction writer who not only created him, but now needs to switch places with him.

Anna Dziapshipa was born of the union between an Abkhazian man and a Georgian woman. In Self-Portrait Along the Borderline, she skilfully weaves together unique archives and fragments to offer a personal and political biography of Georgia-Abkhazia relations. This vibrant exploration foregrounds a divided identity caught between the margins.