New Year's Eve of 1997, Hong Kong is almost in hand to China and the service routine is shaken by a number of events that threaten to get out of hand: a cop accidentally kills an old woman kidnapped by a thug during a tense action and is arrested facing general disbelief. A cadet committing the same offense is acquitted and instead celebrated as a hero by the citizens, but flooding of guilt. A senior police officer on the other hand is going to be left by his wife in vain that claims more attention and time he has never failed to give her. The three destinies cross when the third of them takes hostage during the New Year, the new man in the woman.

Garish logos, labels, corporate symbols and brand-names frenetically alternate, detached from their context (TV or Internet), re-modeled on the computer, broken down into their structural elements, and spinning in an endless loop.

Elina's boyfriend left her for her best friend. The girl takes a bottle of wine and decides to remember the last best moments of her life.

A Tribute to John Cage is Paik's homage to avant-garde composer John Cage. A major figure in contemporary art and music, Cage was one of the primary influences on Paik's work, as well as his friend and frequent collaborator. In this multifaceted portrait, Paik creates a pastiche of Cage's performances and anecdotes, interviews with friends and colleagues, and examples of Paik's participatory music and television works that parallel Cage's strategies and concerns. The methodology and philosophies that inform Cage's radical musical aesthetic — chance, randomness, the democratization of sounds — are evident as he performs such seminal pieces as 4'33" (of complete silence) in Harvard Square, or throws the I Ching to determine performance sites. Among the collage of elements included in this work are segments from Paik's Zen for TV; Paik and Charlotte Moorman in early performances, including the TV Bra; and anecdotes from composer Alvin Lucier.

In 1938 two young architects, Ragnar and Martta Ypyä, known as Y and Mirri, buy an 8mm camera. Together, they start filming the everyday life of Vyborg. But one year later, life in Vyborg changes irrevocably. The Soviet Union attacks Finland. The Winter War has destroyed the city. Mirri flees to the countryside; Y stays in Vyborg, helping to repair the bomb damage. But they carry on filming.

Ten-year-old Sembi and her grandmother Veerayi, an apiarist, live peacefully amidst nature in the hilly regions of Kodaikanal. They lead a beautiful life until three influential miscreants shatter all their dreams. After a tragedy the two escape and board a bus, whose Passengers from different walks of life try to help bringing justice to the duo.

On New Year's Eve, a young soldier is looking forward to going home but is given orders to escort a juvenile delinquent to a distant reformatory. He sets off with the child handcuffed to him.

Guizhou province, southern China, spring 1980. Schoolboys Zhao Qiangsheng (Ma Guoxing) and Fulai (Wang Shibin), who've spent their whole life in a remote village, hear from a PLA soldier about a thing called a "city", full of people, buildings and cars, three mountains away. Full of curiosity, and with the orphaned Fulai fed up with being passed around the community, the two set off to reach it when their school is closed for five days...

A fledgling mystery writer sees an opportunity to advance her career after the death of a novelist/friend but faces dire consequences when a series of vicious murders occur that seem to implicate her.

At the height of summer, 18-year-old Cécile is relaxing by the French seaside with her father, her father's lover, and her new boyfriend. The arrival of her late mother’s enigmatic friend turns her world upside down.

In the quietness of rural life, small disputes about the right to use a rivulet may take the proportion of a life-and-death matter..

Quickie is a Bollywood comedy movie touted to be a teenage love story.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In a post apocalyptic world where vampires and witches rule, a male vampire falls in love with a human man, and wants to make him immortal.

Dizzler in MASKHERAID trailer.