La Feet's Defeat
The Surete Commissioner assigns Inspector Clouseau and Sergeant Deux-Deux to the hazardous task of pursuing a criminal named Muddy La Feet, who leaves behind a trail of muddy footprints that lead Clouseau and Deux-Deux through a mine field and to a castle surrounded by an alligator-filled moat and sealed by an electrified door. NOTE: Sgt. Deux-Deux's last appearance, this time voiced by Don Messick.
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Sacro GRA
After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.
Angelique and the King
Soon after her latest husband death, the King himself (Louis XIV) meets with our heroine and begs her to help convince the Persian Ambassador to agree to a treaty. However, what they didn't realize was that the handsome Persian was in fact a sexual sadist. So, it is up to the King's half- brother, some Hungarian prince, to save Angélique from the evil troll's clutches.
The Time That Remains
An examination of the creation of the state of Israel in 1948 through to the present day. A semi-biographic film, in four chapters, about a family spanning from 1948 until recent times. Combined with intimate memories of each member, the film attempts to portray the daily life of those Palestinians who remained in their land and were labelled "Israeli-Arabs," living as a minority in their own homeland.
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Sex Is Zero 2
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Teke Teke
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Rape Zombie: Lust of the Dead 3
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The Island on Bird Street
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Basically
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The Kingdom of the Fairies
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Tokyo Zombie
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Häxan
Grave robbing, torture, possessed nuns, and a satanic Sabbath: Benjamin Christensen's legendary film uses a series of dramatic vignettes to explore the scientific hypothesis that the witches of the Middle Ages suffered the same hysteria as turn-of-the-century psychiatric patients. But the film itself is far from serious-- instead it's a witches' brew of the scary, gross, and darkly humorous.