La Théorie du Tout
The Theory of Everything navigates between people and landscapes, between words and territory. The evocative landscapes tell us much in their silent presence. People, invited to tell us about themselves and their connection to the world, talk to us about the soil, the subsoil, the forest, the river, the whole that determines them.
Read MoreSimilar Recommendations
Over My Dead Body
The film is a portrait of Dave St-Pierre, a dancer and choreographer from Montreal who is urgently awaiting a lung transplant due to his lifelong battle with cystic fibrosis.
Beyond the Barricade
Family man Poul Berg is tempted by a questionable investement offer and indebts himself to a point where suicide seems like the only way out. His widow struggles to maintain even a simple standard of living for herself and their three children, who are fatally marked by their fathers deed. (stumfilm.dk)
Retando A La Muerte
Cine Gibi 8: ...Tá Brincando?
There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.
PorNO
Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.
With a Right to Kill
This documentary looks at the Danish resistance movement's execution of 400 informers during the Nazi occupation and the ensuing cover-up.
Scooby-Doo: Agence toutou risques, vol. 1 : Le voleur de vélo
The Right of Youth
Court huntsman, Søtoft, is courting his daughter Else’s lady-in-waiting, Miss Engelke. That’s why it’s a bit of a punch in the stomach when, late one evening, he discovers his son Ove in close contact with her. Chamberlain von Plessen, who had been gossiping to Søtoft and is himself spying on the young couple, is going to set fire to the room they’re in. The hurt Søtoft wants to leave the young couple to their cruel fate – that is until he discovers that it’s not Engelke, but his daughter Else, who is trapped in the flames with her brother. (Stumfilm.dk)
Palkó Csinom
The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.
Hello
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Love in Pawn
A British comedy about a struggling artist and his wife living on a houseboat. To raise money she pawns him! His new family takes a liking to him particularly the daughter! The wife tries to redeem her husband but finds she has lost the pawn ticket. In a short matter of time, the whole incident becomes a national sensation.
The Beginning & the Middle
Two childhood best friends are reunited at a house party and debate the pros and cons of finally hooking up.
Hami Nepali Hami Gorkhali
Hami Nepali Hami Gorkhali is a Nepali music video story about Gurkha people
Forest
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
Siempre la duda