The portrait of a woman who remembers. Sheila tells the story of Sheila, without concessions or evasions. Her childhood, her parents, her beginnings, the rumors, her love affairs, her marriage, her son, her successes, her farewells, her return, her mourning. The journey of an extraordinary popular icon who never stopped fighting. The courage of an artist who never gives up. "Sheila, toutes ces vies-là" is also a journey through time. 60 years of pop music, punctuated by numerous archives, personal films, timeless hits and illustrations by Marc-Antoine Coulon. But also 60 years of fashion, through a legendary wardrobe (her TV show outfits) that Sheila invites us to rediscover.

Jean, nicknamed Brasse-Bouillon, and his brother Ferdinand live with their paternal grandmother, who is responsible for their upbringing. But when their parents returned from Japan, they settled in Belle-Angerie and resumed their role with the children, while their grandmother had to leave for cousins. The boys soon come up against the contempt of their mother, Marthe. Faced with this shrew, whom he nicknamed "Folcoche" (a contraction of "madwoman" and "pig"), Jean decided to join the resistance.

This field trip seemed to be a good idea... Five days away from school, away from parents, in an organic farm, in order to enjoy the fresh air and initiate to ecology... But, in fact, everyone was a bit worried. Toto's parents, leaving their son for the first time ; Toto's teacher, at the idea of watching after him 24 hours a day ; and Toto himself, without the possibility of driving his parents nuts, without the neighbour's cat to torment, far away from the schoolyard... he was afraid to feel like time was dragging.

Ricardo O'Farrill brings his sharp, observational humor to the stage with a relentless sarcasm and specific Mexican sensibility. Prepare for mockery.

In this experimental animated short, Ryan Larkin (Walking) creates a series of figures who move across the screen and disappear into a hole. Eventually, the hole metamorphoses into a bridge, on top of which stands the young man from whom the others figures originated.

A surrealistic cutout animated short.

This film examines the reasons why the United States decided to engage in the Korean War. Scenes describe Russia's attempt to gain power following World War II (Korea included), and its refusal to allow free elections in the country. Footage shows Soviet-backed North Korean troops' movement into South Korea on June 25, 1950, the United Nations' response, and the armed struggle against both North Korean and later Chinese troops led by General Douglas MacArthur. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2005.

Documentary producer Jung has won a documentary award. Unfortuately for Jung, the documentary was a trumped-up story and PD Jung has been demoted to a position in the province which he doesn't like. He is just spending his time drinking alcohol and hanging out with ladies in a bar. One day, he hears about a hundred year old wild ginseng from Jung-bae, who is a wild ginseng broker. PD Jung thinks this is a great chance to be reinstated in his position in Seoul. So, he goes and visits Sun-sam, who is famous for finding wild ginseng, a so-called 'Simmani', to get permission for filming a documentary with Jung-bae and Sang-gook, his additional production personnel(AD). Finally, he gets permission from Sun-sam and starts to film. However, people feel something very weird, and some of them get killed while they film the documentary in the middle of the mysterious mountain. PD Jung decides to find out the secrets people are hiding.

In an economically struggling small town, Jenny, a young married woman, begins an affair with June, her college-bound, African-American neighbor.

Shot on Mount Tamalpais, a spatial matrix replaces temporal causality with contiguous space. A view of landscape is taken apart, to be reconstituted through memory. The grid, a reference to the “veil of threads” invented by Albrecht Dürer as an aid for perspective drawing – to transfer vision to a sheet of paper – is used for an opposite effect – to disperse a landscape across time. The viewer is asked to remember the space as it passes and reconstitute it from memory, actively connecting the image across space and time.

Perhaps it is his distinctive velvet smooth voice and calming demeanor that made Morgan Freeman a household name. World-renowned actor, Freeman has starred in over 100 movies in just three decades and continues to break barriers.