Bill performs at the Laff stop in Austin, Texas on June 12, 1993.

Norman Pitkin wants to be a policeman like his father was, but he fails the height test (amongst others). One day he gets out his father's old uniform and "walks the beat". This leads to a level of chaos that only Pitkin could cause

The Sacred City of Caral or Caral-Supe is the capital of the Norte Chico Civilization of Supe located in the Supe Valley, 200 km (124 miles) north of Lima. The Sacred City of Caral is the earliest known civilization in the Americas, it dates to the Late Archaic period. Radiocarbon analysis performed by the Caral-Supe Special Archaeological Project (PEACS) dates its development between 3000 to 1800 B.C.. It is believed that this civilization started by the merging of small villages based on trade of agricultural and fishing products. Its importance rests on the success of techniques of domestication of cotton, beans, potatoes, chilis, squash among other products. Success in agriculture was due to the development of water canals, reservoirs and terraces. They used guano, bird excrement, and anchovies as fertilizer.

A deserted soldier takes refuge among the peasants.

A privileged and impulsive young man attempts to escape mandatory service in his nation's army so he could study abroad with his girlfriend.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

James Herriot is a vet in Yorkshire, England, during the 1940's. He is assigned to the practice of Siegfried Farnon, who—together with his mischievous brother Tristan—already have a successful business. James undergoes a variety of adventures during his work, which are just as often caused by the characters of the county, including the Farnon brothers, as the animals in his care.

A middle aged man, Tom, walks out one day on his wife and baby boy and his seemingly happy life with no explanation. He opts to live on the streets of London. Alone in a park at night he is set upon by a gang of violent thugs, in his bid to escape he accidentally runs into a tree. In A&E Tom meets an extremely happy, fast-talking individual, Aidan, the complete opposite of Tom. Too polite, or too weak to ask him to leave him alone Tom tries to get away from him but to no avail, Aidan sticks to Tom like glue. Tom reluctantly becomes involved in Aidan's life and he quickly realizes that this child like man clearly has his own problems, except Aidan can't see them, his shiny optimism blinds him at every turn, even from his 'girlfriend' the dangerous and volatile Linda.

A 1940 film.

Gallagher weaves together an assemblage of films, creating a narrative through repetition. Documenting her experience caught between Athens and her new home in Northumberland, via a period of ‘uncertain waiting’ in the South East of England. Gallagher explores her sense of dislocation by organising footage from her phone into a visual villanelle, a poetic form with a strict rhyming structure and repeating lines. Footage shifts between presence and absence, movement and stasis. Between the sodium glow of the Athens street lights and the iconic bridges of the Tyne punctuated by sunsets and deluges of rain. Gallagher often draws attention to the overlooked, the ‘hidden in plain view’ aspects of life, questioning what we bear witness to and what we choose to ignore. Within the transitional period between lockdown and the easing of restrictions, Gallagher subtly explores emotional connections to home and place, considering what is outside and what we carry within.

Ivan Kouznetsoff, a Russian engineer, recounts during World War II his stay in England prior to the war working on a new propeller for ice-breaking ships. Naïve about British people and convinced by hearsay that they are shallow and hypocritical, Ivan is both bemused and amused by them. He is blunt in his opinions about Britons and at first this puts off his hosts, including the lovely Ann Tisdall, whose grandfather runs the shipbuilding firm that will make use of Ivan's propeller. The longer Ivan stays, however, the more he comes to understand the humor, warmth, strength, and conviction of the British people, and the more they come to see him as a friend rather than merely a suspicious Russian. As a romantic bond grows between Ivan and Ann, a cultural bond begins to grow as well, particularly as the war begins and Russia is attacked by Germany.

This episode of VH1 Storytellers is broadcast on November 22, 2000 to coincide with the release of the tribute album Stoned Immaculate: The Music Of The Doors. All of the performers joining The Doors on this program also appear on the album. This performance would mark the last time that Ray Manzarek, Robby Krieger, and John Densmore ever reunited to play live together as The Doors. Set List: Love Me Two Times (Pat Monahan) / Alabama Song (Ian Astbury) / Back Door Man (Ian Astbury) / Wild Child (Ian Astbury) / The End (Travis Meeks) / Break On Through (Scott Weiland) / Five To One (Scott Weiland) / L.A. Woman (Perry Farrell) / Riders On The Storm (Scott Stapp) / Roadhouse Blues (Scott Stapp) / Light My Fire (Scott Stapp)

A teenager contemplates his relationship with God and others as his days are filled with loneliness.

Two men caught in a sudden dilemma whether to sell off an endangered Sumatran tiger to the cartel of exotic animal collectors or to preserve and protect it.

During one of Oregon's most violent storms, a young cellist seeks solitude and comfort in the safety of her large apartment, but soon realizes she might not be home alone.