A 28-year-old single woman is pressured to marry.

Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work.

Kohei, a deaf university student, meets lively Taichi and finds rare connection. But as their bond deepens, Kohei must confront his fear of growing too close.

Rosa, the self-serving wife of a small-town doctor, gets a better offer when a wealthy big-city man insists she get a divorce and marry him instead. Soon she demonstrates she is capable of rather deplorable acts -- including murder.

Kiyoko (Takamine Hideko) and her husband want to open a coffee shop. She becomes increasingly close to the bank clerk (Mifune Toshiro) she's asked for a loan.

A gangster tries to find redemption with the inadvertent help of an innocent shop girl and his jealous girlfriend will do anything to keep him.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

A colorblind high school student aspires to be a pilot.

When a theater troupe's master visits his old flame, he unintentionally sets off a chain of unexpected events with devastating consequences.

Five stories center on a werewolf, a feudal landlord, peasants, a ghost, and a mother and her sons.

Follow a small group of elderly “Peeping Toms” through the shadows and margins of an unfamiliar world. Crudely documented by the participants themselves, we follow the debased and shocking actions of a group of true sociopaths the likes of which have never been seen before. Inhabiting a world of broken dreams and beyond the limits of morality, they crash against a torn and frayed America.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

In Paris at night, a young aspiring filmmaker grapples with heartbreak after his girlfriend leaves him for his best friend. After a failed attempt to confront his friend, he wanders the streets and encounters a girl who has just been abandoned. Their paths cross at a party, bringing together two tormented souls.

Three Italian retirees embark on a journey to find a new country to live in.

A silk factory worker is persuaded to support her son's education up to a college level despite their poverty. Many years later, she travels to Tokyo to visit her son.

Two young brothers become the leaders of a gang of kids in their neighborhood. Ozu's charming film is a social satire that draws from the antics of childhood as well as the tragedy of maturity.

An ex-lawman is hired to transport gold from a mining community through dangerous territory. But what he doesn't realize is that his partner and old friend is plotting to double-cross him.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A young student decides to have no more interaction with the world than is needed to minimally sustain life. His increasingly automaton-like behavior is coupled with a strange clarity of insight about the world around him.