A compilation of LEGO short films and promotional videos

A turbulent day in a life, painted by air.

Serial killers have plagued the American landscape for decades, committing gruesome atrocities, and providing some tough cases for criminal investigators to crack. Two detectives are on the trail of a bizarre murderer intent on slaughtering his victims, then using them as real-life puppets in a tale that he is trying to tell.

Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.

During WW2, a group of assembled allied forces are sent to a secret nuclear bunker occupied by Nazi Germany to 
uncover the operations of what's been occurring there. But when they discover the bunker is infested with rabid, zombie, super-humans in a nuclear testing operation gone wrong, they must destroy every last one in hopes of survival.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.

Edo period, Heizo Hasegawa was feared by thieves and villains as "Heizo the Oni". A young man inspects Heizo's surroundings to find out more about him, visiting Kumehachi, Hikoju, and Omasa. Heizo's true colors as a person start to become apparent.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

EMULSION ELECTRONS IMBUED is part of a collection of films revolving around previously recorded cassette tapes. This film is the first in the series and originally shot on 16mm.

Two madmen wish to avenge the historical Peruvian ship "Monitor Huascar" under the command of Capitain Grau: a hero, and a symbol of the 19th century war lost to Chile.

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

Two college students Kyle and Andy take it upon themselves to exorcise the haunted Fulton house, the only available place for them to stay on their college campus.

Making of documentary surrounding the production of ‘Anora’

A folk horror retelling of Red Riding Hood.

Set in the Middle East in 1919, a group of European Jews planning on settling in the Sinai Desert are attacked by Bedouin tribesmen. As they fight for their lives they realize that they are beginning a struggle for a new Jewish nation. This film chronicles the beginning of the modern Jewish struggle for a homeland.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.