Argentine film about the experiences of conscripts in the Malvinas Islands War.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

In 1933, a mischievous ten year old, Archie, is left in the care of his unattentive father, Charlie, a reluctant gangster indebted to mob boss Benny “The Bomb” Palladino. Benny gives Charlie a last chance to clear his ‘debt’ by collecting money from a rival, but when Archie follows his father into a rival gangster’s speakeasy, a series of bizarre events take place culminating in them fleeing without the money.

A runaway heiress hides in a doctor's trailer for a rollicking trip to San Francisco.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Temple of Truth is an archive that constantly ambulates amid tangles of decaying worlds, ex-perienced as petrified, deprived, residual traces, preserving in the process of taking along and transforming itself, a magmatic state, a specific, ancestral, sometimes whitish non-space. A liveliness of half-alive bodies , both human and animal, that catch fire in a latent bullfight and which, in becoming persōnae, inhabit sarcophagi which crumble into solid ground like streams of water that suddenly submerge clouds, swinging on the brink of a vertiginous fall of nocturnal glances in the middle of exotic poses and aerial visions.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.

Thursday, October 24 : the Wall Street Stock Exchange crashes, the greatest economic crisis of the 20th century suddenly breaks out. Fueled by the idea that everyone can get rich without limits, it puts a final stop to the euphoria of the 1920s. America is then caught in a devastating cycle which spreads around the world a few months later like a malign infection. Calling on renowned historians and economists, William Karel conducts an incredibly detailed analysis of the economic and financial mechanisms that lead to the crash of Wall Street and then to the Great Depression of the 1930's.

Following the Revolution of April 25, 1974, the walls of the city of Lisbon became a means of celebrating and transmitting revolutionary ideals and slogans. The text by painter António Domingues praises this plastic work initiated by the Plastic Artists Cell of the Portuguese Communist Party.

Three young men go on an excursion after making a bet with a manipulative girl, but after some events they change course, leading them to experience many funny and tragic follies.

This RM6.0 million film is Malaysia`s biggest film production to honour the fight against Covid-19; bringing a real-life story to the big screen with five directors, three production houses, 100 artistes and 200 crew members to ensure that Malaysians and our future generations do not forget the pandemic period.

Where does a garden go when it has nowhere to go to? A tale about wandering and exile.

People constantly appear walking through passageways in the films of Japanese filmmaker Yasujirō Ozu (1903-63). His art resides in the in-between spaces of modern life, in the transitory: alleys are no longer dark and threatening traps where suspense is born, but simple places of passage.

As they grew older, Cristina and Lola were silenced. They obeyed and kept silent for a long time, until today. The protagonists of this docufiction short film raise their voices to bring us closer to the intersex life stories and share our reflections on bodies, identities and desire. A liberating opportunity not only for them, but for everyone.