The musical adventure film goes back to the early eighteenth century, the times of the battles between the Hungarian insurrectionists and the pro-Austrians. Palkó and Jankó are about to join the insurrectionist army when they clash with a pro-Austrian troop. Jankó is captured and put in Count Koháry's prison.

It's one of the many anonymous nights of quarantine when Irene's phone rings. It's Pietro, her ex. Irene hasn't heard him for months, since their story ended, she hesitates, but in the end she answers. Pietro is beside himself and his confused words suggest a desperate act. Irene just has to travel, to a ghostly city, without ever hanging up, with the hope of reaching him in time.

Cruchot's police office moves into a new building. They do not only get high tech equipment, but also four young female police officers to educate. All of them scramble to work with them -- and cause pure chaos while being distracted by the fine ladies. Then they get into real trouble when one after the other of their female colleagues is kidnapped.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

Two rivals meet to settle old scores in a casino but things are interrupted by a raid.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

An abstract animation about people and organs of the body in and out of drawers.

A girl wakes up in a desert hotel. She can't get out. She can't see outside. But she has sufficient supplies of food and water. She'll have to adapt to live in solitude, alone with herself and her obsessions...

The ostensibly calm and courteous Gerald Ballantyne lives in and embodies modern suburbia. But he is haunted by the memory of a recent car crash and hounded by his estranged wife and her demands for divorce. Slowly, a festering insanity takes over and unwilling to face the outside world he embarks on a lunatic experiment. Confining himself to his middle-class home, he eschews contact with others and survives entirely off 'food' which he can find in his house. Based on JG Ballard's The Enormous Space.

At the end of the 19th century, a girl whom everyone considers ugly, becomes, over time, an insignificant woman, ignored by all. Yet she observes the world around her with a strange eagerness and finds signs of beauty everywhere she looks. Years later, a French photographer already married and with children arrives at her house. He will be the only person capable of seeing the beauty and the richness of her intense inner world.

Slip and Sach are working for a local newspaper as a reporter and photographer, respectively. Slip wants to get the goods on a local gambling ring that is fixing sporting events, so he and Sach go undercover to expose the ring.

Two unsuspecting thieves break into the wrong house and must face a sinister home owner.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

19 days on a 1200-meter-high vertical wall in Torres del Paine, Patagonia. An honest and profound story of an ascent spiced up by rough weather conditions, technical climbing and live music.