In a hugely entertaining parody of her media persona, a pre-'Female Eunuch' Germaine Greer stars as a terrifyingly amorous woman who alternately cajoles, pursues and assaults a mild little man with cries of "Darling, do you love me?" until he succumbs to her strangling hands.

Based on the previous 'Final Chapter', world history has now been modified and reconstructed. Although Kudo was able to release himself from the curse caused by demon soldiers, he now has no money. Despite losing the memory of the previous world, Kudo, Ichikawa and Tashiro continue to work together in producing a horror documentary.

Flight 811, including Azra and Cengiz couple, who carry a $2 million worth of emerald to the auction in the United States, takes off from Istanbul to New York, while a suspicious death changes the fate of all passengers. In this tension-filled atmosphere taking place in a passenger plane over the Atlantic Ocean, all passengers become suspects and in the end all the pieces of the puzzle come together when the audience faces the shocking reality which is never expected. Bringing together award-winning actors of Turkish theater and popular faces of television and cinema, the production also has the distinction of being the first film shot in Turkey to take place entirely on an airplane.

A Hong Kong cop is sent to mainland China to find a group of killers. Meanwhile, a cop discovers that his former love is aiding the gang of crooks.

This documentary provides a closer look into the American political system, the tumultuous Biden presidency, and Trump's rise to regain the most powerful office in the world.

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

A veteran mobster finds that not only are the police after him, but so are members of his own gang, led by a young gangster who wants to take over.

El Borras marries La Pecas, unaware of her mother's (Doña Chole) scheme against Borras. That of Borras to provide for all her family members who are a lazy bunch composed of her father and brothers.

A woman undresses, takes a bath, gets a massage, and relaxes.

Loretta who is caught by her husband, in the middle of an affair. Is threatening husband to give her a liqorice flavoured throat lozenge, or she will die from dry throat and blame him.

Sebastian Palomo Linares is a bullfighter that has reached success in his career. Marisol is a rich girl that likes to run with her car. One day, they meet on the road, and he deeply falls in love with her, but Marisol, who loves him too, doesn't seem to be ready to be with a man that risks his life every time he has a bullfight.

A 1940 film directed by Roberto E. Guzmán.

After learning of his sister's suicide, Nick, a small-time boxer, decides to pay a visit to his sister's junkie lover in Los Angeles, collect some money and pursue an early retirement in Mexico. Along the way, he meets a 9-year-old girl who's been abandoned by her father and together they hitchhike south.

Its hard to explain the full depth and breadth of the depravity of the pharmaceutical industry, the medical research industry, and the federal government. This film does a pretty good job. Hang on to your hat. The model for modern biological warfare was "discovered" during the conquest of the Americas and has been repeated over and over again.

A seemingly disembodied voice reflects on what it takes to survive, in a world modeled after a perception of reality far from the one it experiences on a daily basis.

Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.