Packaged as a deluxe boxed set, Michael Jackson’s Vision contains more than four and a half hours of content across three DVDs, capturing the entire spectrum of Michael’s pioneering short films that transformed the entertainment industry with timeless, pop culture classics that today’s youth embrace with as much passion as their parents did a generation earlier. Michael Jackson's Vision brings together more than 40 videos, ten of them previously unavailable on DVD and each presented in newly restored color and remastered audio. This release marks the first time the video for "One More Chance" was made available to the public.

A portrait of teen escort, 'Coco'.

Four men decided to enter in the oldest Fight Club of the History, The Florentine Football tournament. A father and son, a black guy, an old champion and outsider clerk will enter in an arena of the time to win their fears, to go over their limits, to be heroes for a day.

After an encounter with a dying yakuza's son and at his sister Sakura's urging, Torajiro attempts to change his vagrant lifestyle and become an honest worker with a steady job.

Randy and Jason Sklar standup special recorded in Madison, Wisconsin.

A ruthless killer (Gary Hudson), hell bent for revenge, escapes prison and vows to kill the Texas Ranger (Sam Jones) who sent him there. With the aid of his two brothers, he set off on an explosive journey to make his tormentor pay the ultimate price, a slow tortuous death.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

In August 1944, 1104 Japanese prisoners of war at the Australian POW camp at Cowra stage a mass breakout. Four guards are killed in the escape, and 231 prisoners die by wounds sustained or suicide, while 334 prisoners are recaptured over the subsequent nine days.

Sexuality without pretense gives the wallop to Events. A dramatic street story of young runaway flower-kids in the Greenwich Village of 1968, it raises ethical questions while the screen explodes with erotica."EVENTS is without question, the most far-out sexually experimental film made in the sixties or seventies."--Bruce Williamson, Playboy

The anarchist Ottar is being locked up in a mental institution after a serious of tantrums that involves rage against the machine.

The film follows the daily experiences and dreams of the residents of a specific type of seclusion of freedom in which the convicts assume the maintenance of the space, the control of their own activities and their security. With a multifaceted approach, it proposes a reflection on the creative potential of incarcerated people, the documentary genre itself and its truth.

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.