Episode 3 of Galaxy 4 (Doctor Who) shown at the BFI Cinema, Southbank, December 2012

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

A bodybuilder, anxious to build his own gym, dates a wealthy heiress to obtain funds to finance his dream.

A portrait of Samuel R. Delany, an award-winning African-American gay author whose credits include everything from science fiction to several issues of the Wonder Woman comic book. Using a range of experimental techniques and borrowed footage from Delany's home movies, Taylor captures his subject's thoughts on racism, violence, and his struggles with sexual identity.

They thought life would be simple. All material problems would be overcome. Every morning it would be good to have breakfast together, the table laid. It would be the beginning of a long day at work. The daily ritual of a house inhabited by a mother and the two-year-old daughter. The automatism of the gestures of material life and its suspension in small events.

Romantic triangle. One of the guys is a very bad man.

An untouchable girl is found dead with her illegitimate child, the child is adopted by a postman, a high caste Hindu. No one knows the true identity of the real father of the child, until the child real father, also an upper caste Hindu acknowledges paternity. As the story unfolds, the real father becomes agitated by guilt and anguish and then finally questions his previous actions. The film ends with the Masters own resolutions and true acceptance of his own child and self.

Vaarala, a reserved romantic photographer, has an odd artistic vision of loneliness: he takes serial photos of an empty park bench in remote spaces of nature. When he meets and falls in love with the spirited, unruly Ansa, his ‘bench’ is suddenly filled. But in order to be with her he has to not only overcome his own frailties, but also the impending danger of Ansa’s volatile ex-con ex, and then Ansa herself, a woman prone to impulsiveness and impetuousness.

Mexican feature film

Documentary featuring aircraft from the 1953 Farnborough Airshow.

Short Films featured at the 2017 Vancouver Latin American Film Festival. TAILOR (Calí dos Anjos | Brazil) - GUAMÚCHIL SEEDS (Carolina Corral Paredes | Mexico) - TIMELESS (Raúl Zendejas Escandón | Mexico) - GRIEF (Cecilia Cartasegna | Argentina) - MISSING (Carlos Trujano | Mexico) - MOTHER (Simón Mesa Soto | Colombia) - THE FUTURE IS IRREVOCABLE (Silvina Estévez | Argentina) - ROSINHA (Gui Campos | Brazil)

Lalou works as a shepherd in the mountains with his friend Clara, who came to take care of the herd before her leaving for the army. Next day, Lalou goes to a remote hotel where he secretly meets up with Harmony, an android he madly loves.

A writer at a police station gets trapped in an illegal custody case involving an innocent PHD student. With his guilt and regret looming large, can he save the young man?

There is a belief in Thailand which requires relatives to put coins inside the mouth of the deceased so that they can move on to the afterlife. However, there is a group of reckless and irresponsible teenagers who keep stealing the gold coins from the deceased. Consumed by their own greed, the teenagers then set out to steal from a millionaire's corpse who had a mouthful of gold coins and their action somehow angers the dead man. Later, the group of teenagers then encounter various horrifying situations as the spirits of the man returns to haunt them.