Stacey receives a pocket dial from her husband, Jeff, where she hears the sudden death of a woman on the other end. When Jeff comes home, he says he lost his phone she doesn’t know what to think. Could Stacey be married to a murderer?

When Sarah Kress learns her family’s vineyard is up for sale, she leaves her busy urban life and visits her hometown to help with the sale and have her last harvest. With the help of handsome neighbor Gabe, huge challenge becomes fun as she and Gabe fall in love. But when the job is done, Sarah must decide whether to return to her fast-paced life or follow her heart.

Jura is 23 years old - and Lena is 23. They live in Budennovsk, play computer games, walk and learn. They live in a city where Shamil Basayev entered 23 years ago with militants, and know almost nothing about the events of that time.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Alison is left home alone on Halloween night, but while chatting with her best friend Jenna over Skype, something terrifying happens to Jenna, leaving Alison helpless on the other side of the computer screen, watching in horror.

Star follows the path of Tito and Jay, two brothers living in the Montreal neighborhood of Park Extension. Accompanying these young people in their daily life marked by complicity and intimidation, Star tackles themes dear to teenagers: identity and friendship.

Behold the ultimate face of horror … like you've never seen it before! (And man, is it ugly!) After a 25-year incarceration, a hideously maimed, homicidal maniac has just busted out of a maximum-security asylum for the criminally insane, and now the surrounding countryside is about to become, well, a lot less bucolic. If looks could kill, this guy has cornered the market. Looks like a case of a little too much nip and tuck. …

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Despite the fact that production manager Kruse doesn't have the actors or the crew for the job, he recklessly boasts that he could direct a revue film. To prevent him losing face, Kruse brings together four people - a dramaturg, a composer, a writer and an architect - and gives them the thankless task of turning his idea into a film. Except for the relatively unknown composer Alexander Ritter, who is enthusiastically committed to the project, the other members of the team find themselves stuck in this mess.

Four friends head off to Bombay and get involved in the mother and father of all gang wars.

While Aurora "Roe" Teagarden searches for her piece of the American dream, she decides to test the waters of the family business - real estate sales. Only thing is there's a dead body in the first house she shows. When a second body shows up in another home, Roe realizes there's more to real estate than she thought.