A live performance by Lennie Norman and Claes Malmberg, two of Sweden's top notch stand-up comedians. Taped live by Kanal 5 in Louis De Geer-hallen in Norrköping, Sweden in 1997, during their highly successful 'Kramgoa Killer 97' tour.

In the small working community, the entry in the local newspaper hits like a bomb. The signature "Leif" claims that the town's large arms company Rotum exports weapons illegally. Gunnar Volt, CEO of Rotum, gets a shock. Imagine that someone has the audacity to say that about the community's pride Rotum - even if it now happens to be true. He immediately gathers the management and everyone agrees: Leif must be found - and stopped. But who is this mysterious Leif?

The air in London was damp and cold, a stark contrast to the vibrant warmth of Kathmandu that Anmol often dreamed of. It had been five years since he left Nepal for the United Kingdom, chasing the dreams his mother, Susmita, had envisioned for him. She had sacrificed everything-her small savings, her comfort, and her daily joy of having her son by her side-so Anmol could study and build a better life abroad. Anmol was a hard worker, juggling university classes and long hours at Amrish's restaurant. The boss, a shrewd businessman, valued profits over people. Anmol, like the rest of the staff, was little more than a cog in the relentless machinery of the restaurant's success. One evening, after another grueling 12-hour shift, Anmol sat on his small bed in his shared apartment. His phone buzzed. It was his mother. "Anmol, Dashain and Tihar are coming. I've cleaned the house and even set aside some money to buy your favorite sweets.

Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.

This telefilm is based on "Chorer Master Computer Engineer" by Rahitul Islam. A fresh engineer graduate from Tangail decides to leave his girlfriend, career and metropolitan life behind to teach students and farmers in his home village.

Berlin, 1993. Photographer and artist Jürgen Baldiga battles HIV. In the 1990s, the AIDS epidemic is reaching a climax that no one had expected. The infected bodies and their stories disappear from the public eye, as though they'd never existed. Through the death of his friends and subsequently his own, Baldiga becomes a chronicler of his time: "I am taking a picture. I am photographing the world. I exist."

A nocturnal confrontation between humans and mosquitoes with unexpected consequences.

Three friends, Duk-bae, Chun-sik, and Kil-nam, work each at a suburban Chinese restaurant, a barbershop, and a motel. The three friends are clueless about their future. They just share the drinks and love stories. Kil-nam is in love with Jin-ok working at a hair salon and Chun-sik is after Yu who also works at the barbershop. Naive Duk-bae's mind is torn between Chun-sun who works at a factory and an uptown girl Myung-hi.

Studio head Joe Mulholland promises his dying producer and mentor, Saul Gritz, to adapt a popular sex manual into a film, despite his better judgment. Unable to figure out how to turn the nonfiction book into a narrative movie, Mulholland enlists the services of Herb Dorman, a screenwriter of popular romantic films with a bad marriage, and volatile director Sid Spokane to help him create a movie.

The idea for hosting the concert was envisaged by Ronnie Lane, ex-bassist for The Small Faces and The Faces, himself a casualty of multiple sclerosis. The concert was billed as The Ronnie Lane Appeal for ARMS and featured a star-studded line-up of British musicians, including Jimmy Page, Eric Clapton, Jeff Beck, Steve Winwood, Andy Fairweather Low, Bill Wyman, Kenney Jones and Charlie Watts. The concert was particularly notable in the fact that it was the first occasion on which Clapton, Beck and Page, each a former lead guitarist for The Yardbirds, had performed together on stage.

Charley Chase' insurance company has a million dollar policy on Andrea Leeds' wedding coming off. When Andrea runs away and cons Charley into thinking she's a detective in pursuit of herself, there's no shortage of great laughs.

Seven brief scenes, each with a couple, explore the surprises and the changes of heart that can occur during sexual encounters. Only one of the seven couples has been in bed together before; several are strangers or new acquaintances. A prostitute and her john, an older woman and a youth who follows her home, two women friends, a gay man with a straight man, a man with distinctive ideas about soap and water, a woman who wants the light left on, and a Spanish-speaking woman with a French-speaking man make for an array of possibilities and unanticipated consequences. The 7 bed scenes are titled: The Black Hole [Le trou noir]; Mr. Clean [Monsieur Propre]; Madame; Heads or Tails [Tête bêche]; The Ideal Man [L'homme idéal]; Love in the Dark [L'amour dans le noir]; and The Virgins [Les puceaux].

Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.

It's been 20 years since an Australian film has reached number one at the yearly Box Office and our films have consistently grossed under 5% for the years. So what can we do to make a change?