A short animation by Haruka Suzuki based on the poem "Asa" by Ikuko Shirakuma

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Experimental film-essay dealing with abandoned places and labour rights.

This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.

There are eight episodes in stories full of adventure and play in the neighborhood of Limoeiro, with a new car ride, lost treasure, art exhibition in the square, puppet theater, an unexpected escape from Cascão (again?), Characters Saltimbancos and a lot more.

Three macabre short stories about gambling, vengeance and homicide.

In the second of two Dallas reunion films, War of the Ewings follows Bobby and Sue Ellen Ewing two years after taking over control of Ewing Oil. Although J.R. is managing WestStar Oil, he wants to once again own his father's company. When he discovers that Ray Krebbs' land has undiscovered oil on it, he clashes with everyone — from Carter McKay to the Ewings — to get what he wants.

Whilst giving a bomb of a performance, a disgruntled Clown is thrown off by a loud-mouth Heckler.

SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)

As her 40th birthday draws near, high school librarian Daisy feels societal pressure to settle down and start a family. When the art teacher at Daisy's school abruptly quits mid-term, she teams up with a local photographer to give the students the art program they deserve.

Wiseman enumerates the sights and sounds of Talladega, Alabama – the railroad tracks, quiet streets and homes, a few shops downtown – almost as if to list those things most of us might take for granted. Of the four films in this series, Adjustment & Work is the only one that focuses entirely on adults—specifically adults who have recently lost their sight (and hence are adjusting to this change) and those without sight or hearing who are learning skills in order to enter the workforce.

Niki is a resistance fighter living in a nightmarish dictatorship in Athens, 1972, and Lefteris is her son, who will be forced sooner or later to cut the thread that binds them together.

Two young soldiers, Bartle and Murph, navigate the terrors of the Iraq war under the command of the older, troubled Sergeant Sterling. All the while, Bartle is tortured by a promise he made to Murph's mother before their deployment.