1981, Morocco. A village in the Atlas mountains. A city in the distance. A child. A family facing its destiny.

A socially conscious monster movie in which zombies symbolize society's disadvantaged and oppressed.

Live in Japan '89 is an unofficial Duran Duran live DVD, recorded during The Big Live Thing Tour at the Tokyo Dome in Tokyo, Japan on 22 February 1989. Setlist: "God (London)" "Big Thing" "I Don't Want Your Love" "Hungry Like the Wolf" "Do You Believe in Shame?" "Election Day" / "Some Like It Hot" "All She Wants Is" / "Planet Earth" "Palomino" "A View to a Kill" "The Edge of America" / "Lake Shore Driving" "Skin Trade" "Girls on Film" "Notorious" "Is There Something I Should Know?" "Drug (It's Just a State of Mind)" "The Wild Boys" "Save A Prayer" "Get It On (Bang a Gong)" "The Reflex" "Rio"

The cloak and dagger antics of a girl alone at home on a diet - weighing raisins, fiddling the scales, changing the definition of 'fruit' and blaming it all on her boyfriend...

A newly designed spacecraft capable of going through time is sent to Mars to rescue a crew previously lost on Mars. The ship is sent through the past but to the wrong time, years later than the first crew. Once they land on Mars, the crew finds that it is a place where Bararians rule. The leader of the Barbarians is a female battle warrior named Giza that wants their ship to use as her own chariot through time where she hopes to steal the ancient power of the Masha. With that power, she will gain complete control of the Siperion Empire. - Empire of Danger is the sequel to the movie "Lost on Mars"

Sam Smith performs tracks from their latest album alongside some of their biggest hits, including Stay With Me and the Oscar-winning Writing's on the Wall, accompanied by their band and the BBC Concert Orchestra.

An autobiographical video diary log recorded by Jillian Mayer for her unborn grandchildren.

About a family shouldering an unexpected responsibility when Alzheimer's disease strikes their grandmother. The superb cast portrays this serious and realistic situation with heart-warming compassion, stressing the importance of empathizing with the victims of this difficult disease.

When bible humpers Perry and Tiff Myers endeavor to out their friendly gay roommates, Tanner and Derek, as malevolent specters from the hellish great beyond, it is Perry and Tiff that might just be revealed as hauntingly homophobic instead.

Johann Lurf’s maximalist, 35mm barrage of Hollywood studio logos, transforms the iconic corporate prelude to the big production-to-come into a sustained, stuttering spectacle in which fractured and fantastical worlds collide into a bombastic anti-climax.

Haka and Sarah have to face trials before their wedding, because Sarah was diagnosed with stage three cancer.

To the rhythm of a frenzied choreography, acrobatic matches come to life on a black background. Leaving their matchbox, they line the film in circular, concentric movements. In an almost aquatic momentum, the squadron of little bits of wood mould the contours of a character, a run-of-the-mill smoker, before transforming into a funny harness. The film ends when the matches, again transformed, take on the appearance of a distinguished man who, after several attempts, finally finds a way of lighting his cigarette.